tag:blogger.com,1999:blog-84327910915577658052024-02-19T03:10:24.801-08:00Outside of a DogSharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.comBlogger186125tag:blogger.com,1999:blog-8432791091557765805.post-1941969319619003072014-12-03T13:12:00.001-08:002014-12-03T13:12:19.646-08:00Class Post - Review - "Handbook for Dragon Slayers"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtMy3paE1ooIgaueTUF-VzyG3yiGoWGsDvUJhb3k7lscekmE8fZpQ93PkUlb4a1EGtfKQZsS13H13UpkuJssFmGUUNh5oN9MQrPprKJ7asMR6rdCyDDN33L8r8iUNQr2v3QfAhudy7Z3w/s1600/dragon.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtMy3paE1ooIgaueTUF-VzyG3yiGoWGsDvUJhb3k7lscekmE8fZpQ93PkUlb4a1EGtfKQZsS13H13UpkuJssFmGUUNh5oN9MQrPprKJ7asMR6rdCyDDN33L8r8iUNQr2v3QfAhudy7Z3w/s1600/dragon.jpg" height="200" width="131" /></a></div>
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More often than I’d like to count, I’ll read a juvenile or
YA fantasy book that features a “less-than-perfect” hero or heroine (more often
the heroine), and by the book’s end, whatever it was that made them different
has been “fixed”.<span style="mso-spacerun: yes;"> </span>For example, in <u>The
Girl of Fire and Thorns</u> by Rae Carson, an overweight heroine becomes svelte
by the end of the story, and as such she is more qualified to succeed.<span style="mso-spacerun: yes;"> </span>And so it is with pleasure whenever I
discover a book wherein the main character has a flaw, and still has said flaw
in the final pages.<span style="mso-spacerun: yes;"> </span>One such book is
Merrie Haskell’s involving tale, <u>Handbook for Dragon Slayers</u>.<span style="mso-spacerun: yes;"> </span></div>
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Princess Matilda, or simply Tilda, longs for a quiet,
monastic life where she can read and copy books, and one day write her own, in
peace.<span style="mso-spacerun: yes;"> </span>But being the heir to a small
principality, such peace is a luxury.<span style="mso-spacerun: yes;">
</span>When a neighboring cousin takes Tilda’s mother hostage, and attempts to
do the same to Tilda (it doesn’t last), she sees this as a chance to give up her
responsibilities and the life she was born to, and run away.<span style="mso-spacerun: yes;"> </span>Having been born with a splayed foot which
has earned her the fear and revulsion of her people (some believe she had been
touched by the devil), Tilda believes Adder Brook will be better off without
its lame princess.<span style="mso-spacerun: yes;"> </span>Her friends, her
handmaiden Judith and squire-in-training Parz don’t know of Tilda’s plans to
disappear, and engage her in a distracting quest to slay a dragon and restore
Parz’s reputation.<span style="mso-spacerun: yes;"> </span>Tilda resolves to
write a book about slaying dragons, but along the way learns much more than she
bargained for.</div>
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Tilda’s foot is a handicap, one that often slows her down on
her journey.<span style="mso-spacerun: yes;"> </span>And though a sisterhood of
nuns treats her, her problem does not simply go away.<span style="mso-spacerun: yes;"> </span>I appreciated this about Haskell’s
writing.<span style="mso-spacerun: yes;"> </span>Tilda did have to undergo a
change, but one for her personality, an acceptance of her role in the
community, her responsibility to her home and her people.<span style="mso-spacerun: yes;"> </span>Tilda needed to learn that not all dragons
are evil and need destroying.<span style="mso-spacerun: yes;"> </span>In a
magical twist late in the story, Tilda learns intimately what it means to be a
dragon, and this knowledge changes her.<span style="mso-spacerun: yes;"> </span>This
is the kind of transformation that needed to occur for Tilda to become a hero,
not having her foot magically fixed.</div>
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Tilda’s attitude is informed by many things, her handicap
being just one influence.<span style="mso-spacerun: yes;"> </span>She feels
pressure from her role as princess of Adder Brook, and as such she has learned
to internalize her feelings.<span style="mso-spacerun: yes;"> </span>While those
around her (except those who know her best like Judith) might see a stuck-up
noble, Tilda herself feels as if she must keep a stiff upper lip, as it
were.<span style="mso-spacerun: yes;"> </span>Couple this with her splayed foot,
and Tilda is convinced that the people of Adder Brook despise her.<span style="mso-spacerun: yes;"> </span>“I could see people watching me, watching my
foot and the way I walked.”<span style="mso-spacerun: yes;"> </span>When Tilda learns
there are rumors swirling about her (“One servant, a girl named Roswitha, made
the sign against the evil eye as I passed.”), she tries to bury it deep inside,
and “pretend[s] not to see.”</div>
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<i style="mso-bidi-font-style: normal;">Kirkus Reviews</i>
calls <u>Handbook for Dragon Slayers</u> “A delightful middle-grade fantasy”
which “falters only in its excess of exuberance.”<span style="mso-spacerun: yes;"> </span>The review praises Tilda as a “splendid
heroine: Wry, intelligent, sensitive and stronger than she thinks.”<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Booklist</i>
calls it an “accessible medieval fantasy” which “features three likable young
people, several imaginatively depicted magical animals, and a couple of
dastardly villains.”<span style="mso-spacerun: yes;"> </span><u>Handbook for
Dragon Slayers</u> was the Schneider Family Book Award winner for middle school
in 2014.</div>
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Author Merrie Haskell has three times dipped her toe into
the rich riverbed of fairy tales for her stories.<span style="mso-spacerun: yes;"> </span>Her debut book, <u>The Princess Curse</u> and
her most recent title <u>The Castle Behind Thorns</u> (a retelling of “Sleeping
Beauty”) were both well received, the latter earning two starred reviews.<span style="mso-spacerun: yes;"> </span>Fans of Ms. Haskell’s writing could easily
transition into the works of Gail Carson Levine, which include the Newbery
honor book <u>Ella Enchanted</u>.<span style="mso-spacerun: yes;"> </span>Master
storyteller Jane Yolen also writes splendid fairy tale reimaginings such as <u>Snow
in Summer</u> and <u>Curse of the Thirteenth Fey</u>.<span style="mso-spacerun: yes;"> </span>For readers more interested in the masculine
side of the fairy story, Christopher Healy has written a charming and hilarious
series beginning with <u>A Hero’s Guide to Saving Your Kingdom</u>, which
features the male counterparts to famous female characters.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Haskell, Merrie.<span style="mso-spacerun: yes;"> </span><u>Handbook
for Dragon Slayers</u>.<span style="mso-spacerun: yes;"> </span>New York:
Harper, 2013.<span style="mso-spacerun: yes;"> </span>ISBN: 9780062008169</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-65474145294023612782014-12-03T13:11:00.000-08:002014-12-03T13:11:06.668-08:00Class Post - Review - "Does My Head Look Big in This?"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaK9SvExGH2gLpK5gqwyV0mlHgbY_Ithyphenhyphen_JpJQNf3crsepFSnrMWIC2wSrRTbBYIa-YbOWYxz9BIABFp3bWkfDnZ16sMDIxbnDiAhBlg8Ha0CICvcS4iXb-1XHv42JuGaSz-Cqj54L_aw/s1600/randa.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaK9SvExGH2gLpK5gqwyV0mlHgbY_Ithyphenhyphen_JpJQNf3crsepFSnrMWIC2wSrRTbBYIa-YbOWYxz9BIABFp3bWkfDnZ16sMDIxbnDiAhBlg8Ha0CICvcS4iXb-1XHv42JuGaSz-Cqj54L_aw/s1600/randa.jpg" height="200" width="135" /></a></div>
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In an interview with <i style="mso-bidi-font-style: normal;">The
Guardian</i>, author Neil Gaiman said “a book is a little empathy machine,” and
I couldn’t agree more.<span style="mso-spacerun: yes;"> </span>As important as
it is for readers of all stripes to see themselves in literature (and it is
very, <i style="mso-bidi-font-style: normal;">very</i> important), it is just as
important for readers to see others, and experience lives and cultures
different from their own.<span style="mso-spacerun: yes;"> </span>As Sal learns
in Sharon Creech’s <u>Walk Two Moons</u>, you shouldn’t judge someone until
you’ve been in their place.<span style="mso-spacerun: yes;"> </span>Randa
Abdel-Fattah’s <u>Does My Head Look Big in This?</u> takes place around the
first anniversary of the 9/11 terrorist attacks, but the message inside and the
empathy it evokes are just as necessary today.</div>
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<br /></div>
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Teenager Amal, an Australian-Palestinian Muslim, has an
epiphany one night watching a rerun of “Friends.”<span style="mso-spacerun: yes;"> </span>As a show of her faith, she decides to wear
the hijab, the headscarf, full time.<span style="mso-spacerun: yes;"> </span>She
does not make the decision lightly, and her parents counsel her to be very,
very certain of her choice.<span style="mso-spacerun: yes;"> </span>Amal attends
a strict private school where her choice of expression would not be
appreciated.<span style="mso-spacerun: yes;"> </span>Throughout the year, Amal
deals with prejudice (she is refused a job because of her hijab), teasing, an
uncomfortable encounter with a crush, and pressure from her extended family,
but Amal manages to find peace with her decision.</div>
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<br /></div>
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Abdel-Fattah describes Amal’s first school term as a
“full-timer”: the sneers, the suspicions, the compromises and the benefits, and
in doing so, presents the reader with well-rounded portrait of a teenager.<span style="mso-spacerun: yes;"> </span>Amal is by turns confident, self-conscious,
defensive, proud, embarrassed and curious, just like every other teenager on
planet Earth (and probably Neptune).<span style="mso-spacerun: yes;"> </span>Two
of Amal’s best friends have issues of their own.<span style="mso-spacerun: yes;"> </span>Curvy friend Simone struggles with her
weight, even taking up smoking in order to curb her appetite.<span style="mso-spacerun: yes;"> </span>Leila, a fellow hijab wearing Muslim, gets so
fed up with her super-strict, super-conservative mother, who is constantly
pressuring her to get married that she runs away, sending her family into a
downward spiral.<span style="mso-spacerun: yes;"> </span>These are serious
issues, and Abdel-Fattah treats them so.<span style="mso-spacerun: yes;">
</span>She never diminishes the importance of what her teenage characters are
thinking or saying.<span style="mso-spacerun: yes;"> </span>This is a book that <i style="mso-bidi-font-style: normal;">gets</i> teenagers.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
For Amal, her culture is not something that can be put away
when it is inconvenient.<span style="mso-spacerun: yes;"> </span>Her decision to
wear the hijab full-time affects all aspects of her life.<span style="mso-spacerun: yes;"> </span>As such, she often finds herself as a
spokesperson for Muslims in general.<span style="mso-spacerun: yes;"> </span>She
lectures her crush, Adam, about making excuses for others’ backwards opinions,
saying, “I’ve got family friends who think all white people are drunk
wife-bashers…Should I make an excuse for them?<span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">Oh, they’re allowed to think
that.<span style="mso-spacerun: yes;"> </span>After all, they’ve never really
had a conversation with a sober white person</i>.” (Emphasis by the
author.)<span style="mso-spacerun: yes;"> </span>Within her own family, she
recognizes with sadness how much importance her Aunt and Uncle put on assimilating
to Australian culture.<span style="mso-spacerun: yes;"> </span>“How can we be
accepted and fit in if we’re still thinking about Palestine and speaking in
Arabic?<span style="mso-spacerun: yes;"> </span>Multiculturalism is a
joke.”<span style="mso-spacerun: yes;"> </span>Through these relationships and
experiences, Amal realizes she is happier worrying about what she thinks of herself,
her faith and her behavior, than she is about what others think of her.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Kirkus Reviews</i>
notes in a starred review how “[w]earing the hijab full-time shuts some doors,
but opens others” and calls Amal “a bright, articulate heroine true to herself
and her faith.”<span style="mso-spacerun: yes;"> </span>In another starred
review, <i style="mso-bidi-font-style: normal;">Booklist</i> says the
“first-person present-tense narrative is hilarious about the diversity, and
sometimes heartbreaking” and points out how religion and culture are a part of
the narrative, “[w]ithout heavy preaching… from fasting at Ramadan to refusing
sex before marriage.”<span style="mso-spacerun: yes;"> </span><u>Does My Head
Look Big in This?</u> was a Bank Street College of Education Best Book of the
Year choice for 2008 and a nominee for the Young Reader’s Choice Award in 2010.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Readers who identified with Amal would also enjoy
Abdel-Fattah’s <u>Ten Things I Hate About Me</u>, about a Muslim girl who tries
to hide her culture by dying her hair, among other things.<span style="mso-spacerun: yes;"> </span>For some historical context, Zeina
Abirached’s autobiographical graphic novels <u>A Game for Swallows</u> and <u>I
Remember Beirut</u> tell about the civil war in Lebanon between Christians and
Muslims, and Marjane Satrapi’s graphic novel <u>Persepolis</u> tells about her
experience growing up during the Islamic Revolution in Tehran.<span style="mso-spacerun: yes;"> </span>Both authors take intensely personal stories
about their lives and cultures and make them accessible to many kinds of readers.<span style="mso-spacerun: yes;"> </span>For readers who simply want to know more
about Islam, there is a wonderful book by Sumbul Ali-Karamali for middle grade
readers called <u>Growing Up Muslim: Understanding the Beliefs and Practices of
Islam</u>.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Abdel-Fattah, Randa.<span style="mso-spacerun: yes;"> </span><u>Does
My Head Look Big in This?</u><span style="mso-spacerun: yes;"> </span>New York:
Orchard Books, 2005.<span style="mso-spacerun: yes;"> </span>ISBN: 9780439919470</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-15101936711199587592014-12-03T13:09:00.002-08:002014-12-03T13:09:39.019-08:00Class Post - Review - "Fix, Six, Seven, Nate!"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGUjI8O_qdLNyB9k0Fr3XlLwNYMOpGQ3pjnYAVL8-rNUWkqy-J3aDgv-yLzxtV8a_2dOfdlTqZtdEBjf5u0yhMVVyG2jF47lw-PpUgAaTPRAcFWhEpmnAY1zJi8wTJwE8T8FMrGuSlXYs/s1600/nate.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGUjI8O_qdLNyB9k0Fr3XlLwNYMOpGQ3pjnYAVL8-rNUWkqy-J3aDgv-yLzxtV8a_2dOfdlTqZtdEBjf5u0yhMVVyG2jF47lw-PpUgAaTPRAcFWhEpmnAY1zJi8wTJwE8T8FMrGuSlXYs/s1600/nate.jpg" height="200" width="131" /></a></div>
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It’s not every boy that has dreams of starring on
Broadway.<span style="mso-spacerun: yes;"> </span>It’s not every boy that can
belt out “Defying Gravity.”<span style="mso-spacerun: yes;"> </span>And it’s
really, really, <i style="mso-bidi-font-style: normal;">really</i> not every boy
that lands a role in a Broadway musical on his first audition.<span style="mso-spacerun: yes;"> </span>But that is just what Nate Foster did in <u>Better
Nate than Ever</u> by Tim Federle.<span style="mso-spacerun: yes;"> </span>In
the sequel, <u>Fix, Six, Seven, Nate!</u>, Federle takes his main character
through rehearsals, crushes, learning lines, learning new lines, learning new,
new lines and a surprising opening night.</div>
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Nate Foster snuck away from home to go to New York City to
audition for “E.T.: The Musical” and his gumption paid off when he earned a
space in the ensemble and was even chosen to understudy for E.T.<span style="mso-spacerun: yes;"> </span>But now rehearsals are starting for real,
Nate’s Broadway dream gets grayer and grayer all the time.<span style="mso-spacerun: yes;"> </span>Some of the other kids are mean, the director
and the producer don’t get along, and it seems like no one can agree on
anything!<span style="mso-spacerun: yes;"> </span>Nate starts to work secretly
with an actress named Asella who is also understudying for E.T., helping her
learn her new lines in exchange for some hard earned backstage wisdom.<span style="mso-spacerun: yes;"> </span>A twisted vine of events involving mistaken
identity, bad first impressions and a poorly timed case of laryngitis land Nate
in a once in a lifetime opportunity: playing Elliot, the human lead of the
show.</div>
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<br /></div>
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With TV shows like “Glee” on the air, musical theater has
been enjoying a boom of popularity in young people, at least from where I
sit.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>This is where first time author Tim Federle
wins big, because his books about Nate Foster are a Broadway lover’s
dream.<span style="mso-spacerun: yes;"> </span>Nate and his best friend Libby
are fanatics; when they swear, they substitute the names of notorious Broadway
flops.<span style="mso-spacerun: yes;"> </span>Federle name-drops all over the
place, and gives fascinating insights into a life in greasepaint.<span style="mso-spacerun: yes;"> </span>And Nate himself is such a lovable character,
flaws and all.<span style="mso-spacerun: yes;"> </span>He’s sarcastic,
self-deprecating (he has concerns about his weight), a little naïve and
generally good-hearted.<span style="mso-spacerun: yes;"> </span>Federle puts
Nate through the wringer, but ultimately lets his hero come out on top.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
There are not a lot of books out there for middle grade
readers that feature LGBTQ characters, and this is another reason why the Nate
books are so valuable.<span style="mso-spacerun: yes;"> </span>In <u>Better Nate
than Ever</u>, Nate is ambiguous about his sexuality.<span style="mso-spacerun: yes;"> </span>He doesn’t quite understand it himself.<span style="mso-spacerun: yes;"> </span>In <u>Five, Six, Seven, Nate!</u>, things
come more into focus when Nate develops a crush (which he later learns is
reciprocated) on his co-star and rival, Jordan.<span style="mso-spacerun: yes;">
</span>Federle’s use of first person narration make Nate’s feelings about his
sexuality and his romantic prospects important, but no more important than
learning the insane lyricists new chorus for the show-stopper, or figuring out
how to become a star.<span style="mso-spacerun: yes;"> </span>Nate’s sexual
orientation both is, and is not a big deal.<span style="mso-spacerun: yes;">
</span>It is, in so much as it would be a Big Deal in any story about a young
teenager experiencing their first real crush, and is not, as neither narrator
nor author define Nate’s preference as anything exceptional.<span style="mso-spacerun: yes;"> </span>Nate describes in an almost bored tone how “last
year somebody created a Nate Fagster page on Facebook.”<span style="mso-spacerun: yes;"> </span>It’s obvious this is something that hurt him,
but also that it’s not something upon which he dwells.<span style="mso-spacerun: yes;"> </span>When Libby asks Nate is she has been
replaced, Nate thinks, “Only in that a kiss with him felt like a real kiss.”<span style="mso-spacerun: yes;"> </span>Nate’s emotions are a big deal.<span style="mso-spacerun: yes;"> </span>Who is chooses to express those emotions
with, isn’t.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>Better Nate than Ever</u> was a 2014 Stonewall Award
honor book for youth literature.<span style="mso-spacerun: yes;"> </span><u>Five,
Six, Seven, Nate</u>! was released in January of 2014, and as of this writing,
has not won any major awards, though I would not be surprised to see it
mentioned in the next few months.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Kirkus Reviews</i> wrote that “[w]hile humor
is clearly one of Federle's strengths, what sets this novel apart is how
beautifully he explores Nate's vulnerabilities, particularly with regard to his
sexuality, his family and his own self-esteem.”<span style="mso-spacerun: yes;">
</span>Federle’s sensitivity to his characters feelings extend beyond Nate as
well.<span style="mso-spacerun: yes;"> </span>Nate’s crush/nemesis, Jordan says
of his mother, “She’s go on and on about how a real leading man has to behave like…a
real man.”<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Publishers Weekly</i> calls <u>Nate!</u> a “funny, tender coming-of-age
story… that will appeal to every budding theater geek.”</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Readers of Tim Federle’s Nate books would (and should)
easily transition into Raina Telgemeier’s wonderful graphic novel, <u>Drama</u>,
and a troupe of middle school theater fans, led by their stage manager Callie,
attempting to put on a production of “Moon Over Mississippi.”<span style="mso-spacerun: yes;"> </span>Callie works behind the scenes, but her
relationships, both romantic and platonic, echo Nate’s trials.<span style="mso-spacerun: yes;"> </span>Kieran Scott’s <u>Geek Magnet: A Novel in
Five Acts</u> is another great teen title about the backstage geekery with
relationship drama.<span style="mso-spacerun: yes;"> </span>Finally, John Green’s
YA novel <u>Will Grayson, Will Grayson</u> touches on sexuality, identity and,
of course, theater!</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Federle, Tim.<span style="mso-spacerun: yes;"> </span><u>Five,
Six, Seven, Nate!</u><span style="mso-spacerun: yes;"> </span>New York: Simon
& Schuster Books for Young Readers, 2014.<span style="mso-spacerun: yes;">
</span>ISBN: 9781442446939</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-44644172344601860332014-11-13T15:41:00.000-08:002014-11-13T15:41:14.276-08:00Class Post - Review - "The Year of the Dog"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj86-WxU-wrFlLGPqCjGqvxZP2X5ha6fKRnaT7A0EdwZoG973oUM1Nl5m8t9IGEFgxMO7O8uUXYN7Imf7Po0O_K8aoVBZUo7YsA95MV9AQZVLPg3dR0Kewv77oq-lf_AC3LDHG6t5YPNJE/s1600/dog.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj86-WxU-wrFlLGPqCjGqvxZP2X5ha6fKRnaT7A0EdwZoG973oUM1Nl5m8t9IGEFgxMO7O8uUXYN7Imf7Po0O_K8aoVBZUo7YsA95MV9AQZVLPg3dR0Kewv77oq-lf_AC3LDHG6t5YPNJE/s200/dog.jpg" width="135" /></a></div>
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One of the foundational tenets of juvenile librarianship (at
least to me) is being able to provide a book for any child.<span style="mso-spacerun: yes;"> </span>As such, the ability of children to see and
recognize themselves in books is so very, very important.<span style="mso-spacerun: yes;"> </span>In Grace Lin’s <u>The Year of the Dog</u>,
this need is vocalized by Pacy, a young Taiwanese-American girl, who decides to
write her own book after she fails to see any books that reflect herself or her
life.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>The Year of the Dog</u> begins with Chinese New Year, and
rings in the Year of the Dog.<span style="mso-spacerun: yes;"> </span>This is
going to be an auspicious year for Pacy, as she believes she will find her best
friend, and discover herself.<span style="mso-spacerun: yes;"> </span>The first
count is easily matched when Pacy meets Melody, the only other Chinese girl in
school (aside from Pacy’s sister).<span style="mso-spacerun: yes;"> </span>Pacy
and Melody have their differences, but they are tightly bound by their
similarities.<span style="mso-spacerun: yes;"> </span>The second count, finding
herself, proves to be more difficult for Pacy.<span style="mso-spacerun: yes;">
</span>She tries to discover what she will be when she grows up (A
scientist?<span style="mso-spacerun: yes;"> </span>An actress?).<span style="mso-spacerun: yes;"> </span>As the year comes to a close, ushering in the
Year of the Pig, Pacy has learned a lot about herself and where she belongs.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Kids are so often asked, “What are you going to be when you
grow up?” that it’s no wonder Pacy feels pressure to answer the question.<span style="mso-spacerun: yes;"> </span>This worry is something to which many children
can relate.<span style="mso-spacerun: yes;"> </span>Grace Lin has a finely tuned
ear when it comes to adolescent dialogue, and understanding the inside of a
child’s mind.<span style="mso-spacerun: yes;"> </span>Never does it feel like an
adult is putting words in Pacy’s mouth.<span style="mso-spacerun: yes;">
</span>Her troubles and triumphs feel authentic.<span style="mso-spacerun: yes;"> </span>When Pacy feels as if she has excelled at a science
fair project, she is told her “scientific method was seriously flawed.”<span style="mso-spacerun: yes;"> </span>It’s very easy to understand the feeling of
crushed hopes and also the realization that you were wrong, and need to try
again.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
As with Jacqueline Woodson’s <a href="http://outsideofadog7.blogspot.com/2014/09/class-post-review-brown-girl-dreaming.html" target="_blank">Brown Girl Dreaming</a>, in
Pacy’s world, food=culture.<span style="mso-spacerun: yes;"> </span>I dare you
to read this book and not get hungry.<span style="mso-spacerun: yes;">
</span>From the Chinese New Year meals that frame the story, to the Chinese
vegetables that inspire Pacy’s first foray into authorship and the candy not
allowed at Melody’s house, to the story of the dinner served first to ghosts,
then to living ghosts, food permeates Pacy’s life.<span style="mso-spacerun: yes;"> </span>At an egg party for a newborn relative, Pacy’s
mother informs her that while “’Ja-ba, bei?’ meant, ‘Have you eaten yet?’ it
was also a Taiwanese way of just saying, ‘How are you doing?’”.<span style="mso-spacerun: yes;"> </span>Food is so intrinsically linked to life, it
is part of how to say, “Hello.”</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Pacy’s culture is a huge part of her life in other ways as
well.<span style="mso-spacerun: yes;"> </span>Like Yuriko in <u>The Favorite Daughter</u>
<u>The Name Jar</u>, Pacy struggles with her identity and even her
name.<span style="mso-spacerun: yes;"> </span>She is Pacy to her family, but she
has an American name for school: Grace.<span style="mso-spacerun: yes;">
</span>Both names were given to her by her parents, but the choice to use one
over the other in school was made for her by a previous teacher (“No, no,
no.<span style="mso-spacerun: yes;"> </span>You’re a big girl now; you don’t go
by that name anymore.”).<span style="mso-spacerun: yes;"> </span>Pacy doesn’t
want to correct her teacher, but worries no one will know who she really
is.<span style="mso-spacerun: yes;"> </span>Later, Pacy deals with the issue of
being Taiwanese-American, part one thing and part another.<span style="mso-spacerun: yes;"> </span>At a Taiwanese-American Convention, a few
girls tease Pacy because she doesn’t speak Chinese or Taiwanese, saying Pacy’s
been “Americanized” and that she “doesn’t have any culture”.<span style="mso-spacerun: yes;"> </span>One girl calls Pacy a “Twinkie”, meaning she
is yellow on the outside, but white on the inside.<span style="mso-spacerun: yes;"> </span>Pacy struggles with this bullying, but finds
confidence in the teacher’s praise of her drawing skills.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1X5feaGBcBElxrkn32pHiiRoAlpECi9KGTmKqGLtKLzDeLHGjuw32xzdCInEqKmgAT-uD6Zx_NzGtuZB6XVujoTVjggFUWYgOquvyACI1CrbCvn4PI5xXWbJVvxz50DmCz_KWrJNdJN8/s1600/dog2.gif" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1X5feaGBcBElxrkn32pHiiRoAlpECi9KGTmKqGLtKLzDeLHGjuw32xzdCInEqKmgAT-uD6Zx_NzGtuZB6XVujoTVjggFUWYgOquvyACI1CrbCvn4PI5xXWbJVvxz50DmCz_KWrJNdJN8/s200/dog2.gif" width="166" /></a></div>
and Unhei in <br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Finally, the impulse and need to see oneself in books is
articulated by our heroine after she is told she couldn’t play Dorothy in the
school play, because “Dorothy’s not Chinese.”<span style="mso-spacerun: yes;">
</span>Pacy realizes she never sees Chinese people, in books, plays or on
screen, and thinks, “How come Chinese people are never important?”<span style="mso-spacerun: yes;"> </span>When Melody suggests Pacy write her own book
featuring Chinese characters, Pacy’s desire to find out who she is comes to
fruition.<span style="mso-spacerun: yes;"> </span>She writes and illustrates a
book entitled “The Ugly Vegetables” and wins a prize in a national contest.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>The Year of the Dog</u> received a starred review from <i style="mso-bidi-font-style: normal;">Booklist</i>.<span style="mso-spacerun: yes;"> </span>The review highlights how “chapters are
bolstered by anecdotes from Grace's parents, which connect Grace (and the
reader) to her Taiwanese heritage” and says that Lin has “written the book she
wished she had as a child.”<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Kirkus Reviews</i> said “[e]lementary school
readers will enjoy the familiar details of school life and the less familiar
but deliciously described Chinese holiday meals.”<span style="mso-spacerun: yes;"> </span><u>The Year of the Dog</u> was an Asian
Pacific American Award honorable mention for 2006-7 and was a Maud Hart
Lovelace Book Award nominee in 2010.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
For readers who enjoyed Pacy and her family, her story
continues in <u>The Year of the Rat</u> and <u>Dumpling Days</u>.<span style="mso-spacerun: yes;"> </span>Grace Lin has also written a set of Chinese
folklore novels, <u>Where the Mountain Meets the Moon</u> (which won a Newbery
honor) and <u>Starry River of the Sky</u>.<span style="mso-spacerun: yes;">
</span>For younger readers (especially emerging readers) and listeners, Lin has
a wonderful series of learning to read books about twins Ling and Ting,
including <u>Ling & Ting: Not Exactly the Same!</u> and the new <u>Ling
& Ting: Twice as Silly</u>.<span style="mso-spacerun: yes;"> </span>There
are several other middle grade books about looking for or accepting cultural
identity, including <u>The Whole Story of Half a Girl</u> by Veera Hiranandani,
<u>My Basmati Bat Mitzvah</u> by Paula J. Freedman and <u>In the Year of the
Boar and Jackie Robinson</u> by Bette Bao Lord.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Lin, Grace.<span style="mso-spacerun: yes;"> </span><u>The
Year of the Dog</u>.<span style="mso-spacerun: yes;"> </span>New York: Little,
Brown and Company, 2006.<span style="mso-spacerun: yes;"> </span>ISBN: 9780316060004</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-83044277883597332122014-11-13T09:56:00.001-08:002014-11-13T09:56:34.992-08:00Class Post - Review - "The Name Jar"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMZZ7yYg-XrHgxMgtEOltthPxyIoMfWElWHhXXH2oayB6BIulpL0hHmVHgE4OF-YJv6b2o6IFEgIMzwI66K-waezGF9XcpWmD-MjqD5WVF45GRMpHYfN1uO8AFQ0BS4JOg-JpGyQuDl_I/s1600/namejar.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMZZ7yYg-XrHgxMgtEOltthPxyIoMfWElWHhXXH2oayB6BIulpL0hHmVHgE4OF-YJv6b2o6IFEgIMzwI66K-waezGF9XcpWmD-MjqD5WVF45GRMpHYfN1uO8AFQ0BS4JOg-JpGyQuDl_I/s200/namejar.jpg" width="153" /></a></div>
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<br />
<div class="MsoNormal">
As seen in Allen Say’s <u>The Favorite Daughter</u>, names
can be a very strong tie to your identity when you are young (and when you are
not).<span style="mso-spacerun: yes;"> </span>A name can denote where you came
from and who your family is or was.<span style="mso-spacerun: yes;"> </span>The
heroine of Yangsook Choi’s picture book <u>The Name Jar</u> struggles with her
name and her new identity as an American.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Unhei has left her grandparents in Korea, and is starting a
new school in America.<span style="mso-spacerun: yes;"> </span>When kids have
difficulty pronouncing her name (“Yoon-hye”), she decides she would prefer an
American name.<span style="mso-spacerun: yes;"> </span>Unhei tries out different
names, and the children in her class decide to help, creating a Name Jar filled
with their suggestions.<span style="mso-spacerun: yes;"> </span>With some help
from her faraway grandma and a new friend, Unhei takes ownership of her own
name.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Like Yuriko from <u>The Favorite Daughter</u>, Unhei is
teased because of her name, and wishes to change it.<span style="mso-spacerun: yes;"> </span>And like Yuriko, visits to familiar places
and words from family help Unhei decide to be who she is, because who she is is
special.<span style="mso-spacerun: yes;"> </span>Choi’s story negotiates the turbulent
waters of adolescence and school with a gentle ease.<span style="mso-spacerun: yes;"> </span>Her classmates tease Unhei, but are not
cruel.<span style="mso-spacerun: yes;"> </span>Though their help is misguided
(in wanting her to pick a new name), their desire to aid Unhei with the Name
Jar is well-meaning.<span style="mso-spacerun: yes;"> </span>Anxiety over a name
is a common childhood complaint, and such Unhei’s story is something to which
many children, regardless of their background, will be able to relate.<span style="mso-spacerun: yes;"> </span>Choi illustrates her children with bright
faces and easy smiles, giving the book a relaxed feel, so that even when Unhei
is being teased, there does not appear to be any malice in it.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
From the beginning, on the second illustrated spread, Choi
sets up the cultural background of her <span style="mso-spacerun: yes;"> </span>This two page spread sees Unhei saying
goodbye to her grandparents in an airport in Korea, while her grandma gives her
a wooden block with her name in Korean letters on it (we find out later this
block is a name stamp).<span style="mso-spacerun: yes;"> </span>When Unhei doubts
her name, a trip to Kim’s Deli to pick up kimchi and seaweed reminds her of
Korea.<span style="mso-spacerun: yes;"> </span>“Just because we’ve moved to
America…doesn’t mean we stop eating Korean food,” her mother says.<span style="mso-spacerun: yes;"> </span>It is in the market, talking to Mr. Kim that
the reader learns the meaning behind Unhei’s name.<span style="mso-spacerun: yes;"> </span>Here, feeling safe among her family and
familiar cultural markers, Unhei proudly announces of her name that “My mother
and grandmother went to a name master for it.”</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggcSfpEPXwog9-eA6R4MY21HkKCnL22j7YhT-ruyxB2juoAFzvLDID2jtCp5HRRob9W-rJhHDArK-9xZ7KmHllIzV3RvyE6dy-8WPp3HxatKhMSgI6ZSxbGDmfaqlROn1JntseciFF7ZE/s1600/namejar2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggcSfpEPXwog9-eA6R4MY21HkKCnL22j7YhT-ruyxB2juoAFzvLDID2jtCp5HRRob9W-rJhHDArK-9xZ7KmHllIzV3RvyE6dy-8WPp3HxatKhMSgI6ZSxbGDmfaqlROn1JntseciFF7ZE/s200/namejar2.jpg" width="194" /></a></div>
main character.<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Kirkus Reviews</i>
highlights Choi’s illustrations, saying “The paintings are done in creamy,
earth-tone oils and augment the story nicely.”<span style="mso-spacerun: yes;">
</span>The review also praises how Choi “draws from her own experience,
interweaving several issues into this touching account and delicately
addressing the challenges of assimilation.”<span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">Booklist</i> also notes the beauty
of Choi’s art, noting the earth-tones and that “the figures have both stature
and simplicity--as does the story.”<span style="mso-spacerun: yes;"> </span><u>The
Name Jar</u> was a nominee for several state book awards, including those from
Utah, Arizona, Arkansas and California.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>The Name Jar</u> would pair wonderfully with Allen Say’s <u>The
Favorite Daughter</u>, as both books feature a young girl wrestling with name
anxiety and with her cultural heritage, as well as being personal stories told
by the author/illustrator.<span style="mso-spacerun: yes;"> </span><u>The Three
Names of Me</u> by Mary Cummings features a girl adopted from China, and the
three names she claims: one whispered by her birth mother, one from the
orphanage and one from her adopted American parents.<span style="mso-spacerun: yes;"> </span>Each name represents a piece of who she
is.<span style="mso-spacerun: yes;"> </span><u>My Name is Yoon </u>by Helen
Recorvits and beautifully illustrated by Gabi Swiatkowska features a similar
conundrum to <u>The Name Jar</u>.<span style="mso-spacerun: yes;"> </span>Yoon
is in a new country, and writing her name in Korean makes her feel happy, but
her father says she must learn to write it in English.<span style="mso-spacerun: yes;"> </span>Yoon goes through much of the same
questioning that Unhei does, and the two books make good companions to each
other.<span style="mso-spacerun: yes;"> </span>For a silly note from the same song,
<u>My Name Is Elizabeth</u>, by Annika Dunklee and illustrated by Matthew
Forsythe is a funny picture book about Elizabeth, who loves her name…but don’t
call her Lizzie.<span style="mso-spacerun: yes;"> </span>Or Beth.<span style="mso-spacerun: yes;"> </span>And don’t even think about Betsy.<span style="mso-spacerun: yes;"> </span>Like Yuriko, Unhei and Yoon, Elizabeth has
strongly linked her identity to her preferred version of her name.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Choi, Yangsook.<span style="mso-spacerun: yes;"> </span><u>The
Name Jar</u>.<span style="mso-spacerun: yes;"> </span>New York: Dragonfly Books,
2001.<span style="mso-spacerun: yes;"> </span>ISBN: 9780440417996</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-5912579760628745352014-11-11T11:42:00.000-08:002014-11-11T11:42:23.456-08:00Class Post - Review - "The Favorite Daughter"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8_Xco_TVjk4YGX7IsZ5jd_e1xXFN5PvpiYbwlyts9A4ydek_3Dk3J5JUhIW4m8WSWsy3uVum7CTh4Zxnr9ELbIAWff_GV1k5JjjrnlQmttNKGXpDYnshoymTuF-ysR94fRDHuBeu6W_4/s1600/daughter.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8_Xco_TVjk4YGX7IsZ5jd_e1xXFN5PvpiYbwlyts9A4ydek_3Dk3J5JUhIW4m8WSWsy3uVum7CTh4Zxnr9ELbIAWff_GV1k5JjjrnlQmttNKGXpDYnshoymTuF-ysR94fRDHuBeu6W_4/s200/daughter.jpg" width="188" /></a></div>
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When you are a young child, your identity is what people say
you are.<span style="mso-spacerun: yes;"> </span>It isn’t until we start to
become autonomous human beings that we start to learn for ourselves who we are.<span style="mso-spacerun: yes;"> </span>Accordingly, there is a niche of juvenile
literature that speaks to this conundrum and appeals to kids who are just
starting to question their lives and surroundings in a way that will help shape
the person they are growing to be.<span style="mso-spacerun: yes;">
</span>Author and illustrator Allen Say’s picture book, <u>The Favorite
Daughter</u>, is one such book.</div>
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<br /></div>
<div class="MsoNormal">
Yuriko’s heritage is Japanese-American, but kids at school
make fun of her blonde hair (“They said Japanese dolls have <i style="mso-bidi-font-style: normal;">black</i> hair.” – emphasis by the author),
her kimono, and her new art teacher accidentally calls her “Eureka”.<span style="mso-spacerun: yes;"> </span>Yuriko decides to change her name to Michelle
(“That’s a French name, Honey.”), but her father tries to get her in touch with
herself before she makes such a momentous change.<span style="mso-spacerun: yes;"> </span>When stymied by an art project, Yuriko and
her father make a trip to the Japanese Garden at the Golden Gate Park, and
Yuriko finds validation for herself and inspiration for her project.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Allen Say has been sharing bits and pieces of his life with
lucky readers and listeners for some time.<span style="mso-spacerun: yes;">
</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi0G7SMJQ9gZ2tzKUsdj31KODoxaResH_C7xbsWTT0jkvBTRtrM271AjhNi8yHZR_wRidk8sOfHbZ3dzZw_NTBCxpNOjlAiInV6sA-_v7RXkqxh8X_ub_STHIYnYO_NsGeo_NOtzBAkDY/s1600/daughter2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi0G7SMJQ9gZ2tzKUsdj31KODoxaResH_C7xbsWTT0jkvBTRtrM271AjhNi8yHZR_wRidk8sOfHbZ3dzZw_NTBCxpNOjlAiInV6sA-_v7RXkqxh8X_ub_STHIYnYO_NsGeo_NOtzBAkDY/s400/daughter2.jpg" width="400" /></a></div>
This book tells an anecdote about his daughter, but it is very much
about him as well.<span style="mso-spacerun: yes;"> </span>The father is
chagrined when his daughter wants to change her name, when she wants a nametag
instead of the locket he gave her and when she fusses about her art project,
though he tries not to show it.<span style="mso-spacerun: yes;"> </span>Instead,
he tries to show her things in her life she’s forgotten that make her who she
is: her favorite sushi restaurant, a photograph of her kimono (here, Say
inserts a real photograph of his daughter in a red kimono) and the beauty of
her name.<span style="mso-spacerun: yes;"> </span>This book is a little
bittersweet, with Say’s touches of nostalgia for his grown daughter accenting
each page.<span style="mso-spacerun: yes;"> </span>The commonplace nature of the
base story (an unwanted art project) give readers and listeners a feeling of
familiarity and universality, which allow for a multitude of varying recipients
to see themselves in the story.<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Say’s illustrations are beautiful, as always, highlighting the
beauty of the Japanese Garden and the smile on his daughter’s face upon
completing her project.<span style="mso-spacerun: yes;"> </span>Say’s decision
to include real life photographs of the real Yuriko, one as a young child, and
one grown up, underline the importance of her cultural heritage.<span style="mso-spacerun: yes;"> </span>Her round infant face and red kimono contrast
beautifully with her yellow-blonde hair.<span style="mso-spacerun: yes;">
</span>Say also uses language in a very detailed way to highlight cultural identity.<span style="mso-spacerun: yes;"> </span>The linguistic appellations “san” (to denote
respect) and “chan” (to refer to a child) are used in a scene that helps Yuriko
accept her name.<span style="mso-spacerun: yes;"> </span>Other cultural details,
like it being bad manners to rub your chopsticks together, pepper the story
(Father calls it “[s]harpening your sticks.”)</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Kirkus Reviews</i>
lauded the universality of Say’s story, saying, “Some will identify with the
cultural details that ground the tale; all will relate to how teasing makes
Yuriko feel uncertain about the very things that make her unique.”<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Publishers
Weekly</i> praise<span style="mso-spacerun: yes;"> </span>his “meticulous
draftsmanship and openhearted honesty.”<span style="mso-spacerun: yes;">
</span>This book was a silver medal winner at the NAPPA (National Parenting
Publication Awards) Gold Awards for Early Elementary literature.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>The Favorite Daughter</u> is thankfully not Say’s only
piece of autobiographical literature.<span style="mso-spacerun: yes;"> </span>As
I said above, Say has been sharing his story with readers and listeners for
many years.<span style="mso-spacerun: yes;"> </span>His Caldecott winning
picture book, <u>Grandfather’s Journey</u>, tells the story of his Grandfather’s
trans-Pacific journey and his cultural experiences in Japan and America. <span style="mso-spacerun: yes;"> </span>Say turned intimately to his own life with <u>Drawing
from Memory</u>, a graphic autobiography of Say’s apprenticeship and his road
to becoming an artist.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
For younger patrons, I would recommend Rosemary Well’s<span style="mso-spacerun: yes;"> </span>series of picture books about the Japanese
cat, Yoko.<span style="mso-spacerun: yes;"> </span>Like Yuriko, Yoko deals with
teasing at school because of her heritage, and like Yuriko, she has an
understanding family that helps her see the beauty inside.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Say, Allen.<span style="mso-spacerun: yes;"> </span><u>The
Favorite Daughter</u>.<span style="mso-spacerun: yes;"> </span>New York: Arthur
A. Levine Books, 2013.<span style="mso-spacerun: yes;"> </span>ISBN: 9780545176620</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-17915743263481165412014-10-23T16:01:00.000-07:002014-10-23T16:01:31.035-07:00Class Post - Review - "Jingle Dancer"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvWIEZ2Xub_mjC1a9EY7ZvcGPqPLXzU6Nkl4ccaJAkcl8zu3lboDU_kG5K0KXE0zyKzr4zEM7lZJ61IpkbXW35QWam2bhVkbl7C1xwasIRbAEhGDIR7oqSl7IaDQL8n1SoLepeow2bQBM/s1600/jingle.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvWIEZ2Xub_mjC1a9EY7ZvcGPqPLXzU6Nkl4ccaJAkcl8zu3lboDU_kG5K0KXE0zyKzr4zEM7lZJ61IpkbXW35QWam2bhVkbl7C1xwasIRbAEhGDIR7oqSl7IaDQL8n1SoLepeow2bQBM/s1600/jingle.jpg" height="200" width="166" /></a></div>
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There are certain books that sing, that are perfect for
reading aloud.<span style="mso-spacerun: yes;"> </span>And I just found a new
(to me) book to add to my collection!</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
In Cynthia Leitich Smith’s debut picture book, <u>Jingle
Dancer</u>, young Jenna wants to be like her Grandma Wolfe and dance at the
powwow.<span style="mso-spacerun: yes;"> </span>She is learning the steps, but
does not have time to order the tin to make her jingles.<span style="mso-spacerun: yes;"> </span>Rather than go without, Jenna has an idea.<span style="mso-spacerun: yes;"> </span>While visiting friends and family, Jenna asks
three women if she may borrow a line of jingles for her dress.<span style="mso-spacerun: yes;"> </span>Finally, she borrows the last required line
from Grandma Wolfe herself.<span style="mso-spacerun: yes;"> </span>At the
powwow, Jenna jingle danced for her friends and family who helped her.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
One of my first criterions for selecting a picture book is, “How
does it read?”<span style="mso-spacerun: yes;"> </span>Reading a book silently
to yourself is very different from performing a book for an audience, no matter
how large or small.<span style="mso-spacerun: yes;"> </span>A good picture book
must have rhythm.<span style="mso-spacerun: yes;"> </span><u>Jingle Dancer</u>
has rhythm.<span style="mso-spacerun: yes;"> </span>A good picture book must
come to life.<span style="mso-spacerun: yes;"> </span><u>Jingle Dancer</u> is
lively.<span style="mso-spacerun: yes;"> </span>Smith’s use of language is
musical.<span style="mso-spacerun: yes;"> </span>She repeats onomatopoeic words
like “Tink, tink, tink, tink” for the sound of the jingles on the dresses and “Brum,
brum, brum, brum” for the sound of the drums at the powwow.<span style="mso-spacerun: yes;"> </span><u>Jingle Dancer</u> is also written like an
oral story.<span style="mso-spacerun: yes;"> </span>Transitional phrases like “As
Moon kissed Sun good night” give the reader or listening a feeling they are
experiencing a story that has been told many times before.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>Jingle Dancer</u> is also a valuable book.<span style="mso-spacerun: yes;"> </span>It features native characters, of the
Muscogee (Creek) Nation and the Ojibway, in a positive, non-stereotypical
fashion.<span style="mso-spacerun: yes;"> </span>In short, they are regular
people, not cultural stand-ins.<span style="mso-spacerun: yes;"> </span>They are
a grandmother who loves her granddaughter (“Grandma Wolfe, who warmed like Sun.”),
a neighbor selling food at a gathering (“Once again, Jenna rolled dough, and
Mrs. Scott fried it.”) and a family member, a lawyer, preparing for a big case
(“Once again, Jenna helped Elizabeth carry in her files.”).<span style="mso-spacerun: yes;"> </span>The characters in Smith’s book are all
female, relatable and affirmative representations.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
A short, but detailed Author’s Note with accompanying
glossary rounds out the book.<span style="mso-spacerun: yes;"> </span>In it,
Smith describes origins of the jingle dancer, and the significance of the
dance, the materials and the number four (the story mentions that Jenna’s dress
“needed four rows of jingles.”).<span style="mso-spacerun: yes;">
</span>Illustrations throughout by Cornelius Van Wright and Ying-Hwa Hu bring
to life these cultural details in vibrant watercolors.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Publishers Weekly</i>
noted Smith’s use of language, saying Smith “consciously evokes legend”.<span style="mso-spacerun: yes;"> </span>The review also credits the illustrators with
the “easy integration of Native and standard furnishings and clothing
gracefully complement Smith's heartening portrait of a harmonious meshing of
old and new.”<span style="mso-spacerun: yes;"> </span><u>Jingle Dancer</u> was a
recommended book for the Oklahoma Book Award and the Texas Reading Club.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The first thing I wanted to do after reading <u>Jingle
Dancer</u>, was to see a jingle dance for myself.<span style="mso-spacerun: yes;"> </span>Thank internet for YouTube!<span style="mso-spacerun: yes;"> </span>A quick search yielded several good
results.<span style="mso-spacerun: yes;"> </span>When the time comes that I will
be able to share this book with my patrons, I would love to show them a video
of a real jingle dance as well.<span style="mso-spacerun: yes;"> </span>Cynthia
Leitich Smith thankfully has one of the best author sites on the internet (<a href="http://www.cynthialeitichsmith.com/">http://www.cynthialeitichsmith.com/</a>),
so interested readers, listeners or educations have plenty to find and
explore.<span style="mso-spacerun: yes;"> </span>Smith offers teaching guides,
reader’s theater scripts and more for a variety of her books.<span style="mso-spacerun: yes;"> </span>Her website is a veritable playground!</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
For readers looking for more books in which to dive, they
couldn’t look in a better direction than towards the work of Cree-Metis
author/illustrator Julie Flett.<span style="mso-spacerun: yes;"> </span>This
time of year is especially ripe for her picture books <u>Wild Berries</u> (no
pun intended) and <u>Owls See Clearly at Night</u>.<span style="mso-spacerun: yes;"> </span>Both books incorporate native languages (Cree
and Michif) and are beautiful to look at.<span style="mso-spacerun: yes;">
</span>Wonderful books for bedtime.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Smith, Cynthia Leitich.<span style="mso-spacerun: yes;">
</span><u>Jingle Dancer</u>.<span style="mso-spacerun: yes;"> </span>Illustrated
by Cornelius Van Wright and Ying-Hwa Hu.<span style="mso-spacerun: yes;">
</span>New York: Morrow Junior Books, 2000.<span style="mso-spacerun: yes;">
</span>ISBN: 9780688162412</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-22514930227515421372014-10-23T14:02:00.004-07:002014-10-23T14:04:11.145-07:00Class Post - Review - "How I Became a Ghost"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbXmxyYHhu9lCPDHAo-XLBygdYOX2ZNfUSFV6QqIsbr7VBurAZsGrm2MMhifK4nY9mC-BCS0J52ewH-6ozb6GtKYIHM_0gEVXecQCpNLgLGW1q11ySU2IIdFvd5kpEhL_urz4ekValZqM/s1600/ghost2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbXmxyYHhu9lCPDHAo-XLBygdYOX2ZNfUSFV6QqIsbr7VBurAZsGrm2MMhifK4nY9mC-BCS0J52ewH-6ozb6GtKYIHM_0gEVXecQCpNLgLGW1q11ySU2IIdFvd5kpEhL_urz4ekValZqM/s1600/ghost2.jpg" height="200" width="133" /></a></div>
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It can be hard, nowadays, to find a book title that actually
<i style="mso-bidi-font-style: normal;">tells</i> you something.<span style="mso-spacerun: yes;"> </span>Often, I imagine authors (or much more
likely, publishers) simply playing the Dictionary game, flipping the pages at
random and pointing out words to string together into something that sounds
moderately interesting.<span style="mso-spacerun: yes;"> </span>This is
definitely not the case with Tim Tingle’s book <u>How I Became a Ghost</u>.<span style="mso-spacerun: yes;"> </span>It’s hard to argue with that.</div>
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<br /></div>
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The narrator of <u>How I Became a Ghost: A Choctaw Trail of
Tears Story</u> is ten-year-old Isaac, who is not, we are informed, a ghost <i style="mso-bidi-font-style: normal;">yet</i>.<span style="mso-spacerun: yes;">
</span>But, we are assured, he will be by the book’s ending.<span style="mso-spacerun: yes;"> </span>Isaac lives with his parents, his older
brother Luke and his dog Jumper.<span style="mso-spacerun: yes;"> </span>His
family lives on Choctaw land.<span style="mso-spacerun: yes;"> </span>One night,
after scuttle has been heard of “treaty talk”, men come to burn down the houses
in the town.<span style="mso-spacerun: yes;"> </span>Some people became ghosts
that night.<span style="mso-spacerun: yes;"> </span>Later, men come bearing
blankets for the cold and the homeless.<span style="mso-spacerun: yes;"> </span>The
blankets were infected with small pox.<span style="mso-spacerun: yes;">
</span>Many more people became ghosts.<span style="mso-spacerun: yes;">
</span>From here, Isaac’s family begins their forced march off of their lands
to be relocated by the U.S. Government.<span style="mso-spacerun: yes;">
</span>Along the way, Isaac finds a new friend, learns of someone in trouble
and wants to help and yes, becomes a ghost.</div>
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<br /></div>
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The story of the removal of native peoples from their homes
by the government is still one classrooms teach with kid gloves, if it is
taught at all.<span style="mso-spacerun: yes;"> </span>Tingle’s book, while
written at an elementary level, features mature subject matter, handled in a
sophisticated way.<span style="mso-spacerun: yes;"> </span>Horrible details,
such as the deaths of people around Isaac, and even his own death, are not easy
to read, or glossed over.<span style="mso-spacerun: yes;"> </span>In the midst
of Tingle’s magical realism (Isaac, before becoming a ghost, can see, speak to
and hear other ghosts and has premonitions of how people will die and another
character is a shapeshifter, changing into a panther) is a hard reality.<span style="mso-spacerun: yes;"> </span>At the same time, the violence or death is
not at all gratuitous.<span style="mso-spacerun: yes;"> </span>I think the book
is deceptively simple.<span style="mso-spacerun: yes;"> </span>Sentence syntax
and vocabulary are perhaps deliberately artless in order to make way for the
more complex ideas the readers must face.<span style="mso-spacerun: yes;">
</span>Tingle definitely has a lot of faith in his reading audience that they
can process and absorb the material.</div>
<div class="MsoNormal">
<br /></div>
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<u>How I Became a Ghost</u> does not contain a glossary of
terms, but all Choctaw language used throughout is well defined, and well
placed.<span style="mso-spacerun: yes;"> </span>Readers quickly become
accustomed to substituting “<i style="mso-bidi-font-style: normal;">hoke</i>” or
“okay”.<span style="mso-spacerun: yes;"> </span>Isaac’s first person narration
reveals much about what the character sees, thinks and feels about native
customs.<span style="mso-spacerun: yes;"> </span>After seeing men and women
harming themselves and asking why, Isaac’s mother tells him they are saying
goodbye to their home.<span style="mso-spacerun: yes;"> </span>Isaac replies,
“Their homes are in town.”<span style="mso-spacerun: yes;"> </span>Isaac’s
mother responds with a sobering idea: “No…[t]heir houses are in town.<span style="mso-spacerun: yes;"> </span>This river, this dirt, this is their
home.<span style="mso-spacerun: yes;"> </span>This is our home…It is time to say
good-bye to our home.”</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>How I Became a Ghost</u> received a starred review from <i style="mso-bidi-font-style: normal;">Kirkus Reviews</i>, emphasizing Tingle’s
skill as a storyteller.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>“Tingle's tale unfolds in Isaac's conversational
voice; readers "hear" his story with comforting clarity and are
plunged into the Choctaw belief system, so they can begin to understand it from
the inside out.”<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Cooperative Children’s Book Center Choices</i> calls out Isaac’s
“remarkable, compelling voice” and lauds the way Tingle “reveals that horror in
a way that won't overwhelm readers the same age as his protagonist.” <u>How I
Became a Ghost</u> was also the American Indian Library Association Youth
Literature Award (AIYLA) for middle school literature for 2014.<span style="mso-spacerun: yes;"> </span></div>
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<br /></div>
<div class="MsoNormal">
For readers interested in finding more from Tim Tingle,
thankfully <u>How I Became a Ghost</u> promises to be the first in a series,
with more books to follows.<span style="mso-spacerun: yes;"> </span>He has also
written several other books, including <u>Danny Blackgoat, Navajo Prisoner</u>,
for young adult readers, <u>Walking the Choctaw Road: Stories from Red People
Memory</u> for middle graders and <u>Saltypie: A Choctaw Journey from Darkness
Into Light</u> for picture book readers and listeners.<span style="mso-spacerun: yes;"> </span>Readers wanting to know more about the
Choctaw Trail of Tears or of Native American Removal in general could read <u>Night
of the Cruel Moon: Cherokee Removal and the Trail of Tears</u> by Stanley Hoig,
<u>Longwalker’s Journey</u> by Beatrice O. Harrell or <u>The Long Walk</u> by
Marie-Louise Fitzpatrick.<br />
<br />
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Tingle, Tim.<span style="mso-spacerun: yes;"> </span><u>How I
Became a Ghost: A Choctaw Trail of Tears Story</u>.<span style="mso-spacerun: yes;"> </span>Oklahoma City: The Roadrunner Press,
2013.<span style="mso-spacerun: yes;"> </span>ISBN: 9781937054533</div>
<br /></div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-16568316011730261292014-10-22T14:13:00.001-07:002014-10-22T14:13:48.032-07:00Class Post - Review - "Pocahontas"<div class="separator" style="clear: both; text-align: center;">
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It’s hard to imagine in today’s technology infused world of
recording and oversharing <i style="mso-bidi-font-style: normal;">every little
thing</i>, that history, even up to a few generations ago, is subjective.<span style="mso-spacerun: yes;"> </span>“History is written by the winners”, people
say.<span style="mso-spacerun: yes;"> </span>Which is true.<span style="mso-spacerun: yes;"> </span>History is written by the <i style="mso-bidi-font-style: normal;">survivors</i>.<span style="mso-spacerun: yes;"> </span>This is also true.<span style="mso-spacerun: yes;"> </span>Author Joseph Bruchac plays with these
certainties with his book of historical fiction, <u>Pocahontas</u>.</div>
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<u>Pocahontas</u> features alternating chapters telling the
first person points of view of Pocahontas, then eleven years old, and Captain
John Smith, leading up to the seminal moment of the famous story.<span style="mso-spacerun: yes;"> </span>From Pocahontas, we learn about her family,
her town and her father, Mamanatowic, “the Great Chief of all the Powhatan towns”
and her endless curiosity, especially about the “swan canoes,” and the “Coatmen.”<span style="mso-spacerun: yes;"> </span>John Smith, in 17<sup>th</sup> century English,
tells his story of a man unjustly accused of treason, imprisoned and distrusted
in the New World.<span style="mso-spacerun: yes;"> </span>These two stories intersect
and eventually come to a head, with Pocahontas’ hopeful words, “<i style="mso-bidi-font-style: normal;">We shall live together in peace”</i>
(emphasis by the author).</div>
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History, as I said, is subjective.<span style="mso-spacerun: yes;"> </span>Both Pocahontas and John Smith have different
versions of their stories, and each reveals his or her own prejudices as they
tell it.<span style="mso-spacerun: yes;"> </span>Smith speaks with the wounded,
puffed up pride of someone who finds themselves constantly harassed by
others.<span style="mso-spacerun: yes;"> </span>He admits to telling baldface
lies.<span style="mso-spacerun: yes;"> </span>Pocahontas, for her part, is
young, and in her youth is the forgiveness for little exaggerations and stretches
of the truth.<span style="mso-spacerun: yes;"> </span>By her own admission, she
is her father’s favorite child, and this status affords her great freedom and
leeway.<span style="mso-spacerun: yes;"> </span>By allowing both his
protagonists to be relatable, but unreliable narrators, Bruchac allows for
historical wiggle room, so to speak.<span style="mso-spacerun: yes;"> </span>Virtually
every version of the Pocahontas/John Smith story you will find asserts that the
young girl throws herself on John Smith, the prisoner, in order to save his
life.<span style="mso-spacerun: yes;"> </span>In Pocahontas’ version of events,
this is not the case.<span style="mso-spacerun: yes;"> </span>Smith’s life is
never in danger, and in fact, Pocahontas’ father is welcoming him, and
Pocahontas is greeting his as a new brother.<span style="mso-spacerun: yes;">
</span>Which is the truth?<span style="mso-spacerun: yes;"> </span>Likely, we
will never know (until such time as time travel is invented).<span style="mso-spacerun: yes;"> </span>The value of the Pocahontas myth, however, is
in the girl’s desire for peace and understanding, something that Bruchac
maintains in his afterword, writring, “[t]hrough it all Pocahontas appears to
have remained an influential voice for peace.”</div>
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<br /></div>
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In his notes, Bruchac admits that “seeing things from the
Native American side” of the story came mostly from “the last four decades I
have spent deepening my knowledge of my own American Indian heritage by
listening to and spending time with the many friends, fellow storytellers, and
elders in the Native American community” who have helped him along the way.<span style="mso-spacerun: yes;"> </span>Under Bruchac’s careful eye, the Powhatan
nation is well represented.<span style="mso-spacerun: yes;"> </span>Each of
Pocahontas’ chapters begins with snippets of <i style="mso-bidi-font-style: normal;">por quio </i>folklore, telling stories of creation, nature and the
people.<span style="mso-spacerun: yes;"> </span>“Great Hare lives in his home in
the sunrise.<span style="mso-spacerun: yes;"> </span>There he made the first
women and men.<span style="mso-spacerun: yes;"> </span>He kept them at first in
a great bag,” begins one portion of the story which precedes a chapter in which
Pocahontas is full of questions about the nature of things, and the origin of
man.<span style="mso-spacerun: yes;"> </span><u>Pocahontas</u> is also peppered
with words in both the Powhatan language and 17<sup>th</sup> century English,
for which Bruchac provides two glossaries in the backmatter.</div>
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<br /></div>
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<u>Pocahontas</u> received mixed reviews upon
publication.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Kirkus Reviews</i> writes that “[b]oth characters come to life
instantly, and the daily accounts are rich with details of everyday life” and “[h]is
writing is masterfully stylized to suit all characters in their time and
culture, and makes for dense but satisfying reading.” <span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Publishers
Weekly</i>, on the other hand, calls <u>Pocahontas</u> “uneven” and says “Smith's
words, meant to echo the cadences of the actual diaries and records that
introduce each of his chapters, sound stiff and passive” and “readers may be
frustrated” with the style and the resolution of the story.</div>
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As I have said, the story of Pocahontas is as varied as it
is plentiful.<span style="mso-spacerun: yes;"> </span>Standout editions include
Kathleen Krull’s <u>Pocahontas: Princess of the New World</u>, featuring
beautiful illustrations by David Diaz and Jean Fritz’s <u>The Double Life of
Pocahontas</u>.<span style="mso-spacerun: yes;"> </span>For readers of Bruchac’s
book interested in further reading, Bruchac offers a selected bibliography in
his backmatter.<span style="mso-spacerun: yes;"> </span>Also, many of the works
quoted in the beginnings of John Smiths’ chapters are still available for
modern readers, electronically preserved, including <u>The Generall Historie</u>
written by John Smith himself.<span style="mso-spacerun: yes;"> </span>The
Scholastic paperback edition of <u>Pocahontas</u> features a variety of
discussion questions, and the book lends itself to interpretation and debate.<span style="mso-spacerun: yes;"> </span>Classrooms or reading groups could easily
start a conversation about the variations in the story, and what they might
represent, or reveal.</div>
<br />
<br />
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The story of Pocahontas is one of the most oft told tales of
American history, and one that seems different with every telling.<span style="mso-spacerun: yes;"> </span>Whether Bruchac’s story holds more truth than
others may never be known (ok, we know it’s better than the Disney version),
but <u>Pocahontas</u> is an interesting book nonetheless.<span style="mso-spacerun: yes;"> </span>It gives a valuable glimpse into the daily
lives the Powhatan people, and yes, flies a flag of peace, understanding and
tolerance, one that could, and should, be heeded still today.</div>
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<br /></div>
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Bruchac, Joseph.<span style="mso-spacerun: yes;"> </span><u>Pocahontas</u>.<span style="mso-spacerun: yes;"> </span>Orlando: Silver Whistle Books, 2003.<span style="mso-spacerun: yes;"> </span>ISBN: 9780152167370</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-83423959304170073662014-10-09T14:12:00.000-07:002014-10-09T14:12:14.283-07:00Class Post - Review - "Under the Mesquite"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh10nw1ktdSDEJVzEgcXP8Lhj1NNHKOvXPegNM2YNVWCOqKK9BBeyZeSECLjnF3djmyFDVwETt2JmqAIEBSjA-SoFV1c3-io45QYzmp0AWzjpyOkRSedVfiwneHnuhPHfnCGEr6_zmV4go/s1600/mesquite.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh10nw1ktdSDEJVzEgcXP8Lhj1NNHKOvXPegNM2YNVWCOqKK9BBeyZeSECLjnF3djmyFDVwETt2JmqAIEBSjA-SoFV1c3-io45QYzmp0AWzjpyOkRSedVfiwneHnuhPHfnCGEr6_zmV4go/s1600/mesquite.jpg" height="200" width="135" /></a></div>
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This summer I finally accepted the inevitable and read <u>The
Fault in Our Stars</u>.<span style="mso-spacerun: yes;"> </span>I was prepared
for the waterworks.<span style="mso-spacerun: yes;"> </span>Then, I read <u>This
Star Won’t Go Out: The Life and Words of Esther Grace Earl</u>, the
autobiography-hybid book about a young woman with cancer who befriended author
John Green and became an inspiration to countless people.<span style="mso-spacerun: yes;"> </span>This kind of grief I was not prepared
for.<span style="mso-spacerun: yes;"> </span>The words of a young woman who
knows she is going to die, but lives in the face of it, were very sobering.</div>
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<br /></div>
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I bring this up, because having just read about Esther
Grace, I was in a better position to empathize with the main character of
Guadalupe Garcia McCall’s <u>Under the Mesquite</u>.<span style="mso-spacerun: yes;"> </span>The main character, Lupita, does not suffer
from cancer, but her mother does.<span style="mso-spacerun: yes;"> </span>The
effect this disease has on Lupita and her large family is the focus of McCall’s
Pura Belpre winning novel-in-verse. </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
When Lupita’s mother’s disease is first revealed, Lupita
attempts to join the church and dedicate her life to God.<span style="mso-spacerun: yes;"> </span>Her mother says no.<span style="mso-spacerun: yes;"> </span>“We’ve made other plans,” mother says.<span style="mso-spacerun: yes;"> </span>“Someday you’ll thank me for this.”<span style="mso-spacerun: yes;"> </span>Instead, Lupita commits herself to her
family, to her poetry, and to drama.<span style="mso-spacerun: yes;">
</span>Regardless of hurdles and hardships, she shows an aptitude for each.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The trajectory of Lupita’s story is not unusual.<span style="mso-spacerun: yes;"> </span>The stages of grief are all there.<span style="mso-spacerun: yes;"> </span>But mixed into the anger and acceptance of
cancer’s ugly hold on her mother is Lupita’s story of her identity.<span style="mso-spacerun: yes;"> </span>Born in Piedras Negras, Coahuila, Mexico,
Lupita moved with her family to the bilingual border town of Eagle Pass, or El
Aguila.<span style="mso-spacerun: yes;"> </span>As legal immigrants, Lupita and
her family are free to jump rope with the border, continuing to visit family on
the Mexican side, and even relying on them heavily when Mami’s illness takes a
turn for the worse.</div>
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<br /></div>
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Lupita never shows any sense of shame for her background,
and indeed embraces it.<span style="mso-spacerun: yes;"> </span>Her drama
teacher, however, tries to teach her to rid herself of her accent, leaving
Lupita’s friends to wonder if she has started to abandon her roots.<span style="mso-spacerun: yes;"> </span>McCall treats this issue very carefully.<span style="mso-spacerun: yes;"> </span>Losing her accent would be a boon to her
acting career (though the reasons for this are varied and problematic), and
Lupita knows this.<span style="mso-spacerun: yes;"> </span>To her, this is not a
way of turning her back on her heritage, but taking a purposeful turn towards
her future.<span style="mso-spacerun: yes;"> </span>“What - / because I’m
Mexican/ I’m supposed to speak with an accent?/ Should I wear a <i style="mso-bidi-font-style: normal;">rebozo</i> too?” (Emphasis by the author.)</div>
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<br /></div>
<div class="MsoNormal">
As I noted above, <u>Under the Mesquite</u> won the Pura
Belpre Author Award in 2012.<span style="mso-spacerun: yes;"> </span>In their
starred review, <i style="mso-bidi-font-style: normal;">Kirkus Reviews</i> called
it a “promising, deeply felt debut” that “captures the complex lives of
teenagers in many Latino and/or immigrant families.”<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Children’s
Literature</i> says, “This is, quite simply, a beautiful book.”</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Since I began this review by referencing <u>The Fault in Our
Stars</u> and <u>This Star Won’t Go Out</u>, it only tracks that I bring these
two books back into the conversation for connections to <u>Under the Mesquite</u>.<span style="mso-spacerun: yes;"> </span>Stories about cancer are not uncommon, but
these two books are, and simply reading them must go a long way towards
fostered compassion for those that suffer from this appalling disease.<span style="mso-spacerun: yes;"> </span>Readers of <u>Under the Mesquite</u> might
look to other novels-in-verse for more touching stories.<span style="mso-spacerun: yes;"> </span><u>The Best and Hardest Thing</u> by Pat
Brisson tells the story of a young pregnant teenager.<span style="mso-spacerun: yes;"> </span><u>Inside Out and Back Again</u> by Thanhha
Lai is the Newbery honor winning book about a Vietnamese immigrant struggling
to find a home and put down roots in America.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
McCall, Guadalupe Garcia.<span style="mso-spacerun: yes;">
</span><u>Under the Mesquite</u>.<span style="mso-spacerun: yes;"> </span>New
York: Lee & Low Books, 2011.<span style="mso-spacerun: yes;"> </span>ISBN:
9781600604294</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-76488743509552140752014-10-09T13:42:00.001-07:002014-10-09T13:42:32.116-07:00Class Post - Review - "Silver People"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeTaCL13IztW6tqbktf7yztsc0ZB3lTVrCVhbN1UI8sMS52h5JIc5G0fKSPSi-DXbn0CLj2uDsNMUHrtzBxEVTIZgM19tFJsjrNjaPVTXiAoE2IRTEsxP4vc1zmZ_k6-3Sh1WJHo1MYL0/s1600/silverpeople.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeTaCL13IztW6tqbktf7yztsc0ZB3lTVrCVhbN1UI8sMS52h5JIc5G0fKSPSi-DXbn0CLj2uDsNMUHrtzBxEVTIZgM19tFJsjrNjaPVTXiAoE2IRTEsxP4vc1zmZ_k6-3Sh1WJHo1MYL0/s1600/silverpeople.jpg" height="200" width="136" /></a></div>
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The power of poetry in telling stories is being utilized in
literature for young people more and more, to everyone’s benefit.<span style="mso-spacerun: yes;"> </span>As I have already said, this year has been
particularly fruitful for novels-in-verse, producing such works as <u>Brown
Girl Dreaming</u>, <u>Caminar</u> and <u>The Crossover</u>.<span style="mso-spacerun: yes;"> </span>In addition to those excellent titles, master
poetical storyteller Margarita Engle brings us <u>Silver People: Voices from
the Panama Canal</u>.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Told in a chorus of voices, with four main characters, <u>Silver
People</u> gives a slice of the on-the-ground action in building the “eighth
wonder of the world”.<span style="mso-spacerun: yes;"> </span>Mateo is from
Cuba, but passes as a Spaniard (islanders are unwanted).<span style="mso-spacerun: yes;"> </span>Henry is from Jamaica, and speaks English.<span style="mso-spacerun: yes;"> </span>Anita is a Panamanian who sells herbs and
cures and wields a machete to protect herself from “poisonous snakes/ and mean
men.”<span style="mso-spacerun: yes;"> </span>Augusto, Puerto Rican born,
hailing from New York, is in Panama because of his maps, and is paid in gold,
unlike the islanders, who are paid in silver.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Like many of Engle’s other novels-in-verse, <u>Silver People</u>
deals with heavy issues, including discrimination, racism, poverty, grief, and
abuse, not to mention the backbreaking work of actually digging the famous
canal.<span style="mso-spacerun: yes;"> </span>Mateo and Henry must navigate the
barbs of a very unwelcoming life, with Anita and Augusto’s help.<span style="mso-spacerun: yes;"> </span>Engle offers no one an easy solution.<span style="mso-spacerun: yes;"> </span>Difficult choices are made, and though the
characters might end up in a better place than they started, it is by no means
smooth sailing ahead.</div>
<div class="MsoNormal">
<br /></div>
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With every new character introduction, Engle places her
characters squarely on the map.<span style="mso-spacerun: yes;"> </span>Language
and cultural indications flourish in Engle’s descriptions.<span style="mso-spacerun: yes;"> </span>Jamaican Henry is described in comparison to
the “sunburned/ American engineers and foremen” and “the medium-dark/ Spanish
men”.<span style="mso-spacerun: yes;"> </span>The differences between all the
nationalities are maintained, as well as they similarities.<span style="mso-spacerun: yes;"> </span>Anita says of the ridiculous “Panama hats”, “Don’t
they/ understand that Latin America/ has many countries?”</div>
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<br /></div>
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<u>Silver People</u> received a starred review from <i style="mso-bidi-font-style: normal;">Booklist</i>.<span style="mso-spacerun: yes;"> </span>“Engle tells her stirring story in multiple
voices, including President Theodore Roosevelt and even the fauna and flora of
the jungle. And she vividly presents her Panamanian setting and the often cruel
context of the canal's construction and its system of segregation that
separated dark-skinned islanders and olive-skinned southern Europeans from
Americans and northern Europeans.”<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Kirkus Reviews</i> called Engle’s verse “characteristically
elegant.”</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The building of the Panama Canal was a huge undertaking,
about which much has been written.<span style="mso-spacerun: yes;"> </span>For
older readers, David McCullough’s <u>The Path Between the Seas: The Creation of
the Panama Canal, 1870-1914</u> is essential reading.<span style="mso-spacerun: yes;"> </span>Younger readers, or those who are simply
looking for, as Hermione would put it, “a little light reading”, might enjoy
Elizabeth Mann’s <u>The Panama Canal</u> or other similar titles.<span style="mso-spacerun: yes;"> </span>While Mateo, Henry, Anita and Augusto are
fictional characters, other voices heard in <u>Silver People</u> are those of
real individuals.<span style="mso-spacerun: yes;"> </span>Readers interested in
learning more could look towards <u>George Goethals, Panama Canal Engineer</u>
by Jean Lee Latham or <u>To Dare Might Things: The Life of Theodore Roosevelt</u>
by Doreen Rappaport.<span style="mso-spacerun: yes;"> </span>And of course, any
reader who enjoyed <u>Silver People</u> would be well served in seeking out
Engle’s other wonderful books, including <u>The Surrender Tree</u>, <u>The Wild
Book</u> and <u>Hurricane Dancers</u>.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Engle, Margarita.<span style="mso-spacerun: yes;"> </span><u>Silver
People: Voices from the Panama Canal</u>.<span style="mso-spacerun: yes;">
</span>Boston: Houghton Mifflin Harcourt, 2014.<span style="mso-spacerun: yes;">
</span>ISBN: 9780544109414</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-87837594584434924312014-10-07T10:44:00.001-07:002014-10-07T10:44:21.111-07:00Class Post - Review - "Yum! ¡MmMm! ¡Qué Rico! Americas’ Sproutings"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRatyDaNh52W2oeBML295j3SAY_bbE4txH77Nf_wdbdcpZ7iXT0fuHQdOFkQqXClZOjwNELMldVDKV5uDtu87n1AkMLtjGPi5i_UBvyRN-tVXQRdyj_tw4fDNsSFX4nggbbCCoMeR0AXs/s1600/yum.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRatyDaNh52W2oeBML295j3SAY_bbE4txH77Nf_wdbdcpZ7iXT0fuHQdOFkQqXClZOjwNELMldVDKV5uDtu87n1AkMLtjGPi5i_UBvyRN-tVXQRdyj_tw4fDNsSFX4nggbbCCoMeR0AXs/s1600/yum.jpg" height="200" width="150" /></a></div>
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When I was in college, I took several classes in Asian
cinema, all in a row.<span style="mso-spacerun: yes;"> </span>That year, I ate so
many noodles, won tons and egg rolls, I couldn’t even count.<span style="mso-spacerun: yes;"> </span>Apparently, I am very susceptible to food
suggestions.<span style="mso-spacerun: yes;"> </span>If I read about a delicious
cupcake recipe (and there are plenty of them out there in books for children),
I have to try it out.<span style="mso-spacerun: yes;"> </span>After reading Pat
Mora’s <u>Yum! ¡MmMm! ¡Qué Rico! Americas’ Sproutings</u>, I’m ready for a
feast!</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
In fourteen haiku, Mora and illustrator Rafael López
highlight fourteen foods native to the Americas, including vanilla, potatoes,
tomatoes, chocolate and cranberries.<span style="mso-spacerun: yes;"> </span>The
haiku highlight the pleasure of the food item (Chocolate: “Brown magic melts on
your tongue. / Happy, your eyes dance.”) while an informational insert gives
the readers background material on the geographical origin and uses of the
foodstuff.<span style="mso-spacerun: yes;"> </span>Rafael López’s illustrations
feature children, adults and even some animals, of all kinds of shapes, sizes
and colors.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
To start off, this book is delightful.<span style="mso-spacerun: yes;"> </span>The energetic colors and whimsy of the
illustrations marry well with the lighthearted poems.<span style="mso-spacerun: yes;"> </span>The haiku format make for easy reading, and this
is a book that can be enjoyed by any age.<span style="mso-spacerun: yes;">
</span>The informational asides are enlightening without being too “teachy”.<span style="mso-spacerun: yes;"> </span>The whole effect is altogether mouthwatering.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWjpsTMpQHotFaFUJJrzHrazyguUbh7C2_pQxFuFJcjrrOsjTwc6Xy6JWGOi7pVclzhk8DnESpzNBFN98vCuTwD8xhoJiU40T_BfXtyaVCR1Bilmbx5e_1KurrB2KhRYLXnrrB2_Fsqyc/s1600/yum2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWjpsTMpQHotFaFUJJrzHrazyguUbh7C2_pQxFuFJcjrrOsjTwc6Xy6JWGOi7pVclzhk8DnESpzNBFN98vCuTwD8xhoJiU40T_BfXtyaVCR1Bilmbx5e_1KurrB2KhRYLXnrrB2_Fsqyc/s1600/yum2.jpg" height="185" width="320" /></a>The foods emphasized by Mora and López span North, Central
and South America (though they do not stretch up into Canada).<span style="mso-spacerun: yes;"> </span>Mora explores foods’ roots in Native American
culture, Mexico, the Aztecs and more.<span style="mso-spacerun: yes;">
</span>Occasional use of Spanish vocabulary roots the poems in a Hispanic
realm.<span style="mso-spacerun: yes;"> </span>The <i style="mso-bidi-font-style: normal;">dulces</i>.<span style="mso-spacerun: yes;"> </span>Surprise!” (emphasis
by the author).</div>
poem for Prickly Pear reads, “Red
desert wonder. / Cactus fruit becomes syrup/ and <br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>Yum! ¡MmMm! ¡Qué Rico! Americas’ Sproutings</u> received
a starred review from <i style="mso-bidi-font-style: normal;">Booklist</i>, which
called it an “inventive stew of food haiku” and highlighted López’s artwork: “From
blueberries to prickly pears to corn, the acrylic-on-wood-panel illustrations
burst with vivid colors and stylized Mexican flair.”<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Kirkus
Reviews</i> also laud López, saying “Lopez's vibrant, folklorish illustrations
make the book a visual feast.”</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
For young foodies, there are many directions to go after
reading this book of poetry.<span style="mso-spacerun: yes;"> </span>Cookbooks
are plentiful, including books that highlight world cuisines. <span style="mso-spacerun: yes;"> </span>The PowerKids Press series <i style="mso-bidi-font-style: normal;">Native Foods of Latin America</i> highlight
many of the same ingredients found in <u>Yum! ¡MmMm! ¡Qué Rico! Americas’
Sproutings</u>, including chocolate and chiles.<span style="mso-spacerun: yes;">
</span>For chocoholics, Melissa Stewart’s <u>No Monkeys, No Chocolate</u> gives
a humorous explanation of the harvesting process, highlighting simians’ role in
the food chain.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
This is a book I will enjoy sharing with my patrons,
especially my youngsters.<span style="mso-spacerun: yes;"> </span>The bright
colors and simple haiku will be perfect for capturing their attention.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Mora, Pat.<span style="mso-spacerun: yes;"> </span><u>Yum! ¡MmMm!
¡Qué Rico! Americas’ Sproutings</u>.<span style="mso-spacerun: yes;">
</span>Illustrated by Rafael López.<span style="mso-spacerun: yes;"> </span>New
York: Lee & Low<span style="mso-spacerun: yes;"> </span>Books, 2007.<span style="mso-spacerun: yes;"> </span>ISBN: 9781600608926</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-85872392058455089592014-09-25T15:09:00.003-07:002014-09-25T15:09:37.959-07:00Class Post - Review - "Ashley Bryan's Puppets"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO0AErYjoEf4DWSC3aOnKVNNC3CsEFi57FQi8zp5Pcwu5ftiuRpgJKJ6z0YWMdVM8U0fzVesJHV57-OQWqUXSrFVdN2VSVMXvipZceRI84ub7wj6fbWPX42WLCF1VjGewTDqsN3wavvQA/s1600/ashley-bryans-puppets-9781442487291_hr.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO0AErYjoEf4DWSC3aOnKVNNC3CsEFi57FQi8zp5Pcwu5ftiuRpgJKJ6z0YWMdVM8U0fzVesJHV57-OQWqUXSrFVdN2VSVMXvipZceRI84ub7wj6fbWPX42WLCF1VjGewTDqsN3wavvQA/s1600/ashley-bryans-puppets-9781442487291_hr.jpg" height="199" width="200" /></a></div>
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<div class="MsoNormal">
There is an popular saying that you can’t make something out
of nothing.<span style="mso-spacerun: yes;"> </span>You can, however, make
something out of everything, and this is just what
author/illustrator/poet/artist Ashley Bryan has put on display with his newest
book, <u>Ashley Bryan’s Puppets</u>.<span style="mso-spacerun: yes;"> </span>In
33 poems with accompanying photographs by Ken Hannon, edited by Rich Entel,
Bryan introduces readers to his hand made puppets, crafted out debris such as
shells, sea glass and fishing nets.<span style="mso-spacerun: yes;"> </span>Each
puppet has a unique name, appearance and story, inspired by African folklore.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</div>
<div class="MsoNormal">
I have loved Ashley Bryan’s books for a long time.<span style="mso-spacerun: yes;"> </span>I was fortunate enough to see some of his
artwork in person at a New York Public Library exhibition earlier in the year,
and it was luminous.<span style="mso-spacerun: yes;"> </span>The work on display
here is a completely different kind of art.<span style="mso-spacerun: yes;">
</span>Bryan has fashioned his puppets, sometimes beautiful, sometimes strange
and unfamiliar, from detritus found while strolling on the beach.<span style="mso-spacerun: yes;"> </span>Natural elements like bones, shells and peach
pits are matched with bedposts, buttons and fabric.<span style="mso-spacerun: yes;"> </span>Bryan’s poems bring life with the inanimate
objects.<span style="mso-spacerun: yes;"> </span>There is “Nkosi – Ruler,” “Kitaka
– Good Farmer” and husband and wife team “Serwaa – Jewel” and “Zawdie – Chosen Leader.”<span style="mso-spacerun: yes;"> </span>These poems are sometimes funny (like that of
“Ewunike – Fragrant,” whose hair was made from a toilet brush) and sometimes
sweet (like “Osaze – Whom God Loves”).</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
This book has been in my library for less than a month, but
it has already garnered much attention.<span style="mso-spacerun: yes;">
</span>I <span style="mso-spacerun: yes;"> </span>The puppets are so detailed, and there is
always so much to look at and discover that even the pre-literate can enjoy
this book on their own.<span style="mso-spacerun: yes;"> </span>Longer than a
traditional picture book, this is not exactly bedtime reading, but more of a
book that would be poured over in different ways and different times.<span style="mso-spacerun: yes;"> </span>The poems can be read individually, or as
one, in clusters or front-to-back and back-to-front.<span style="mso-spacerun: yes;"> </span>On the final page, the author reveals a riddle
held within the pages: hidden puppets, and puppets waiting for the reader to
create a poem just for them.<span style="mso-spacerun: yes;"> </span>This last
element of surprise gives readers and listeners a chance to interact directly
with the book.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyUWcn-tO4zjCi498QZmgvrDmnjQGTc_Em-6pSnI9jHsU1w47nhhVSSH2OzkpqIufMlCc-8S8b1mjSJPvVo0LYB2soOcj8OV829sh6cI2rf0hIWkvcRguYS3IHcgEYkfcnLo05g4IinaY/s1600/puppets.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyUWcn-tO4zjCi498QZmgvrDmnjQGTc_Em-6pSnI9jHsU1w47nhhVSSH2OzkpqIufMlCc-8S8b1mjSJPvVo0LYB2soOcj8OV829sh6cI2rf0hIWkvcRguYS3IHcgEYkfcnLo05g4IinaY/s1600/puppets.jpg" height="146" width="200" /></a></div>
have found that children love looking at the photographs. <br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
With this book, Ashley Bryan is directly bringing African
culture to the forefront, using names from across the continent and from the
Yoruba and the Ma-Shona people.<span style="mso-spacerun: yes;">
</span>Backmatter reveals the geographical origin of each specific name and
directs readers towards a resource to choose names for their own creations. <span style="mso-spacerun: yes;"> </span>Bryan plays with familiar characters like
Anansi the Spider (“I’m Spider Anansi./ I spin without rest/ A close web of
stories/ For cradle and nest.”) and the wise owl (“When poised and full/ I
relive the music and wisdom/ Of winged lines,/ A feast of poems/ I’ve
memorized.”), and introduces a numbers of new faces, as it were.<span style="mso-spacerun: yes;"> </span>The poem for one puppet, “Andito – The Great
One,”<span style="mso-spacerun: yes;"> </span>references the African American
spiritual, “Dem Bones,” proclaiming, “Oh! Hear the Word.”<span style="mso-spacerun: yes;"> </span>But the upcycled nature of the puppets
reveals something of the Bryan’s own background, reusing discarded items during
the Depression.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>Ashley Bryan’s Puppets</u> received three starred reviews
when it was released this year.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Kirkus Review<u> </u></i>calls it “A
stunning work of creative genius sure to captivate the young and lend pure
delight to beachcombers of any age.”<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">School Library Journal</i> called it a “captivating
and beautifully designed book.”</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Thankfully for all readers, everywhere, Ashley Bryan is
nicely prolific, and has numbers of beautiful books on the shelves.<span style="mso-spacerun: yes;"> </span>From Coretta Scott King Award winner <u>Let
it Shine: Three Favorite Spirituals</u> to <u>The Ox and His Wonderful Horns
and Other African Folktales</u> to Bryan’s autiobiographical picture book <u>Words
to My Life’s Song</u>, Bryan fans have plenty to entertain them.<span style="mso-spacerun: yes;"> </span>Readers interested in more African folktales
can look to books like <u>The Iroko-Man: A Yoruba Folktale</u> by Phyllis
Gershator, illustrated by Holly C. Kim, <u>Why the Sun and the Moon Live in the
Sky</u> by Elphinstone Dayrell, illustrated by Blair Lent or even everyone’s
favorite eight-legged trickster in <u>Anansi and the Moss Covered Rock</u> by Eric
A. Kimmel, illustrated by Janet Stevens.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Bryan shows no sign of slowing down in his advancing age,
and I for one couldn’t be happier.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Bryan, Ashley.<span style="mso-spacerun: yes;"> </span><u>Ashley
Bryan’s Puppets</u>.<span style="mso-spacerun: yes;"> </span>Photographs by Ken
Hannon.<span style="mso-spacerun: yes;"> </span>Photographs edited by Rich
Entel. New York: Atheneum Books for Young Readers, 2014.<span style="mso-spacerun: yes;"> </span>ISBN: 9781442487284</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-55609690660080130632014-09-25T10:07:00.002-07:002014-09-25T10:07:40.672-07:00Class Post - Review - "Brown Girl Dreaming"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4SfBa26su4EW2RtBTKf9OzyVZ_qkoSmtUX2Paw5IRK8oKSnddwmoHTs7J8JfoojXCmJWOJsxfAqqC1vscE7_qkPInfHSzDF5sgT7YGmYHX2iFNbFDNraLlTFkmvsWLruvpwYgJ9Kwox0/s1600/dreaming.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4SfBa26su4EW2RtBTKf9OzyVZ_qkoSmtUX2Paw5IRK8oKSnddwmoHTs7J8JfoojXCmJWOJsxfAqqC1vscE7_qkPInfHSzDF5sgT7YGmYHX2iFNbFDNraLlTFkmvsWLruvpwYgJ9Kwox0/s1600/dreaming.jpg" height="200" width="131" /></a></div>
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<div class="MsoNormal">
It seems like every year there are one or two middle grade books
upon which everyone agrees.<span style="mso-spacerun: yes;"> </span>Last year,
Cynthia Kadohata’s <u>The Thing About Luck</u> received five starred reviews,
as did Rita Williams-Garcia’s <u>P.S. Be Eleven</u> and Holly Black’s <u>Doll
Bones</u>.<span style="mso-spacerun: yes;"> </span>The year before that, R. J.
Palacio’s <u>Wonder</u> was on everyone’s lips.<span style="mso-spacerun: yes;">
</span>This year, that honor seems to going to Jacqueline Woodson’s
autobiography-in-verse, <u>Brown Girl Dreaming</u>.<span style="mso-spacerun: yes;"> </span>And it couldn’t happen to a more deserving
book.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Starting from Part I, “i am born”, Woodson follows the
trajectory of her life from Ohio to North Carolina and up to New York during a
tumultuous and watershed time in American history.<span style="mso-spacerun: yes;"> </span>In spare but very affecting verse, she writes
about her father, whom as a child she did not really remember, her mother, her
grandparents and especially her siblings.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
2014 has been a very good year for middle grade works in
verse, seeing several outstanding examples, including Andrea Davis Pinkey’s <u>The
Red Pencil</u>, Kwame Alexander’s <u>The Crossover</u> and Skila Brown’s <u>Caminar</u>.<span style="mso-spacerun: yes;"> </span>The past few years have brought more
prominence to the genre, with the Newbery Medal going to Katherine Applegate’s <u>The
One and Only Ivan</u> in 2013 and a Newbery honor to Thanhha Lai’s <u>Inside
Out & Back Again</u> in 2012.<span style="mso-spacerun: yes;"> </span>Many
pundits agree that <u>Brown Girl Dreaming</u> is the frontrunner for the 2015
Newbery Award.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Woodson’s verse is deceptively simple.<span style="mso-spacerun: yes;"> </span>Free verse, with the occasional haiku thrown
in, Woodson uses language to evoke the feelings, memories, sounds and smells of
her childhood.<span style="mso-spacerun: yes;"> </span>“The crickets/ and frogs
call out./ Sometimes, there’s the soft/ <i style="mso-bidi-font-style: normal;">who-whoo</i>
of an owl lost/ amid the pines./ Even the dogs won’t rest until/ they’ve
howled/ at the moon” (emphasis by the author).</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
As I said, <u>Brown Girl Dreaming</u> has garnered great
attention this year, including six starred reviews.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Kirkus
Review</i> writes, “Woodson cherishes her memories and shares them with a
graceful lyricism; her lovingly wrought vignettes of country and city streets
will linger long after the page is turned.”<span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">Publishers Weekly</i> emphasizes
the strength of Woodson’s descriptions, saying, “The writer’s passion for
stories and storytelling permeates the memoir, explicitly addressed in her
early attempts to write books and implicitly conveyed through her sharp images
and poignant observations seen through the eyes of a child.”</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
In this narrative, food is culture.<span style="mso-spacerun: yes;"> </span>Woodson writes longingly of food, as it
connects her to her sometimes disconnected family and her new friends in New
York.<span style="mso-spacerun: yes;"> </span>Her family gathers, “<i style="mso-bidi-font-style: normal;">sitting an running their mouths</i>/ while
the pots on the stove bubbled/ with collards and sizzled with chicken/ and corn
bread baked up brown/ inside Kay’s big black oven” (emphasis by the author).<span style="mso-spacerun: yes;"> </span>Later, Woodson marks the prosperity of her
family by the quality of the meals.<span style="mso-spacerun: yes;">
</span>Plain pancakes in lean times are followed up with syrup, fruit and butter
in more comfortable times.<span style="mso-spacerun: yes;"> </span>Woodson’s
relationship with her best friend Maria is punctuated by descriptions of Maria’s
mother’s cooking.<span style="mso-spacerun: yes;"> </span>“She pulls the crisp
skin/ away from the <i style="mso-bidi-font-style: normal;">pernil</i>, eats the
pork shoulder/ with rice and beans/…<i style="mso-bidi-font-style: normal;">Yeah</i>,
I say.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">This is only for us.<span style="mso-spacerun: yes;"> </span>The family</i>”
(Emphasis by the author).</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Because Woodson discusses many seminal moments in American
history, there are many directions a reader may go if they want further
reading.<span style="mso-spacerun: yes;"> </span>Perhaps the first books I would
recommend are Rita Williams-Garcia’s <u>One Crazy Summer</u> and <u>P.S. Be
Eleven</u> (and yes, I am aware that I recommend these books a lot, but
honestly, they’re worth it). <span style="mso-spacerun: yes;"> </span>These books
cover topics like the Black Panthers (whose breakfast programs are mentioned in
<u>Brown Girl Dreaming</u>) and the Vietnam War, as well as being concerned
with self-identity, maturity and responsibility, all things Woodson touches upon
in her book.<span style="mso-spacerun: yes;"> </span>Another beautiful book that
I often find myself steering patrons towards is Cynthia Levinson’s micro-history
of the Civil Rights movement called <u>We’ve Got a Job: The 1963 Birmingham
Children’s March</u>.<span style="mso-spacerun: yes;"> </span>Woodson wrote
about the training civil rights protesters had to undergo, training to help
them stay non-violent and strong.<span style="mso-spacerun: yes;">
</span>Levinson gives details about such training, undergone by children and
young adults in this startling and stirring account.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
When the Newbery announcement is made this coming January, I
won’t at all be surprised to hear <u>Brown Girl Dreaming</u> and Jacqueline
Woodson’s name being called.<span style="mso-spacerun: yes;"> </span>This is a
vital book, a pleasurable book.<span style="mso-spacerun: yes;"> </span>It is
the kind of book that readers of any sex, color or creed can get lost inside.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Woodson, Jacqueline.<span style="mso-spacerun: yes;"> </span><u>Brown
Girl Dreaming</u>.<span style="mso-spacerun: yes;"> </span>New York: Nancy
Paulsen Books, 2014.<span style="mso-spacerun: yes;"> </span>ISBN: 9780399252518</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-13361664490179678372014-09-23T14:06:00.000-07:002014-09-25T14:42:01.847-07:00Class Post - Review - "Black Cowboy Wild Horses"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjim2pDWuMP3asDgZISOtNDeS4WzrGwuLiswQ__m7eK1Z2Tq4ewPJTEFJO-bDrykKSEtQtTwCkZQUNjfLk6q9FkKwNRVaznbGHmFeneQvauJYOaIpGInjDAN45SX8HgNt1g1vVVhNc3muw/s1600/cowboy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjim2pDWuMP3asDgZISOtNDeS4WzrGwuLiswQ__m7eK1Z2Tq4ewPJTEFJO-bDrykKSEtQtTwCkZQUNjfLk6q9FkKwNRVaznbGHmFeneQvauJYOaIpGInjDAN45SX8HgNt1g1vVVhNc3muw/s1600/cowboy.jpg" height="320" width="259" /></a></div>
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Close your eyes.<span style="mso-spacerun: yes;">
</span>Think of a cowboy, a quintessential American cowboy.<span style="mso-spacerun: yes;"> </span>The hat, the spurs, the whole nine
yards.<span style="mso-spacerun: yes;"> </span>Now open your eyes, and look at
the cover of <u>Black Cowboy Wild Horses: A True Story</u> by Julius
Lester.<span style="mso-spacerun: yes;"> </span>Is this the image you pictured?</div>
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<br /></div>
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Probably not.<span style="mso-spacerun: yes;"> </span>The
image of the American cowboy in media representations has been so
overwhelmingly white that it might be hard to imagine anything else.<span style="mso-spacerun: yes;"> </span>What Julius Lester and illustrated Jerry
Pinkney have done with this gorgeous, transfixing picture book is open up an
entire new vista of possibilities for thinking about the classic cowboy image.</div>
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<br /></div>
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Bob Lemmons is a cowboy.<span style="mso-spacerun: yes;">
</span>With his black stallion, Warrior, Bob sets off to corral a herd of wild
mustangs.<span style="mso-spacerun: yes;"> </span>Across familiar landscapes,
Bob tracks the animals and bides his time.<span style="mso-spacerun: yes;">
</span>He protects himself during a thunderstorm.<span style="mso-spacerun: yes;"> </span>When he finds the herd, he is careful, he is
dominant, and he eventually brings most of the herd back to the ranch, to the
cheers of the other cowboys.</div>
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<br /></div>
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<u>Black Cowboy Wild Horses</u> is not a book for die-hard
animal lovers.<span style="mso-spacerun: yes;"> </span>Frank acknowledgement of
animal cruelty involved in the corralling of a wild herd in the Old West is part and parcel of Lester’s
narrative.<span style="mso-spacerun: yes;"> </span>This is definitely a picture
book for older readers, written around a fourth-grade reading level.</div>
<div class="MsoNormal">
<br /></div>
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Lester’s text does not make a big to-do about the color of
Bob’s skin, letting the emphasis of that image rest on Pinkney’s
shoulders.<span style="mso-spacerun: yes;"> </span>Lester does mention Bob’s
background, writing, “Some people learned from books.<span style="mso-spacerun: yes;"> </span>Bob had been a slave and never learned to
read words”, going on to say that Bob was fluent in the language of tracking
animals.<span style="mso-spacerun: yes;"> </span>This is the only mention Lester
gives to Bob’s race.<span style="mso-spacerun: yes;"> </span>Pinkey, however,
with his gorgeous illustrations in pencil, gouache and watercolor, says
volumes.<span style="mso-spacerun: yes;"> </span>He places Bob in the traditional
settings of a cowboy: horses, the wide open prairie, dusty ranches.<span style="mso-spacerun: yes;"> </span>The contrast is given between what is familiar, the
image of the American West, with what is unfamiliar, a black cowboy.<span style="mso-spacerun: yes;"> </span>A
two-page spread towards the end of the book features Bob, just coming into
frame on the left side, while the page is dominated by white cowboys.<span style="mso-spacerun: yes;"> </span>Though subtle, the difference is very
telling.<br />
<br />
<u>Black Cowboy Wild Horses</u> received a starred review from <i>Publishers Weekly</i>. The review highlights "[t]he fluid brushwork of Pinkney's watercolors" and says the book is "[n]otable for the light it sheds on a fascinating slice of Americana." </div>
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<br /></div>
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Backmatter reveals more about the author and illustrator’s
inspiration for the story, and Pinkney gives an important nugget of
information: “...one out of three cowboys was black or Mexican”.<span style="mso-spacerun: yes;"> </span>These are not the images we have from popular
books, movies and television.<span style="mso-spacerun: yes;"> </span>That’s
what makes a book like <u>Black Cowboy Wild Horses</u> so significant.<span style="mso-spacerun: yes;"> </span>By not making a big deal of Bob’s race,
Lester is acknowledging that such a thing was not uncommon at all, and in fact
was downright commonplace.<span style="mso-spacerun: yes;"> </span>This offers
young black readers an image in a popular genre that reflects their own face.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
In the backmatter, Pinkney lists two famous black western
names, Nat Love, a cowboy, and Bill Pickett, a rodeo star.<span style="mso-spacerun: yes;"> </span>Several books exist for those interested in
further reading, including Pat McKissack’s <u>Best Shot in the West: The
Adventures of Nat Love</u>, Andrea Davis Pinkey’s <u>Bill Pickett: Rodeo-Riding’
Cowboy</u>, Lillian Schlissel’s <u>Black Frontiers: A History of African
American Heroes in the Old West</u> and Vaunda Micheaux Nelson’s <u>Bad News
for Outlaws: The Remarkable Life of Bass Reeves, deputy U.S. Marshall</u>.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Lester, Julius.<span style="mso-spacerun: yes;"> </span><u>Black
Cowboy Wild Horses</u>.<span style="mso-spacerun: yes;"> </span>Illustrated by
Jerry Pinkney.<span style="mso-spacerun: yes;"> </span>New York: Dial Books,
1998.<span style="mso-spacerun: yes;"> </span>ISBN: 9780803717879</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-63544901749232037012014-09-10T12:52:00.000-07:002014-09-10T12:52:12.762-07:00Class Post - Review - "Jane, the fox & me"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4QYgMwqG8t4UlgyzaH9Y9EyGZJYUUSsUCQ-g1mzfkr4Mff6tIvFw6lkaEJhV9_16jdXvHnJRhTa6X9Yaaa2iAeXM6N9ngijceD71O6NwulXgbE7ckHy8lNol882alxclSJFgY7-tpi1g/s1600/janefox.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4QYgMwqG8t4UlgyzaH9Y9EyGZJYUUSsUCQ-g1mzfkr4Mff6tIvFw6lkaEJhV9_16jdXvHnJRhTa6X9Yaaa2iAeXM6N9ngijceD71O6NwulXgbE7ckHy8lNol882alxclSJFgY7-tpi1g/s1600/janefox.jpg" height="200" width="150" /></a></div>
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<div class="MsoNormal">
I’m not sure what it is, but there is something about the
graphic novel format that allows for such an honest baring of one’s (literary)
soul.<span style="mso-spacerun: yes;"> </span>Graphic memoirs like <u>Smile</u>
by Raina Telgemeier, <u>The Dumbest Idea Ever!</u> by Jimmy Gownley and <u>I
Remember Beirut</u><span style="mso-spacerun: yes;"> </span>by Zeina Abirached
have become more and more popular, and something like author Fanny Britt and
illustrator Isabelle Arsenault’s <u>Jane, the fox & me</u>, which not
strictly autobiographical, has to come from some place of truth.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Hélène, a young student with body and self-esteem issues,
navigates the now treacherous landscape of school, with the help of <u>Jane
Eyre</u>, which she is reading for the first time.<span style="mso-spacerun: yes;"> </span>Girls who used to be friends now write
hurtful things about Hélène on the bathroom walls and no one rises to her
defense.<span style="mso-spacerun: yes;"> </span>On an end-of-school camp trip, Hélène
gets grouped with the “Outcasts”, a Latin girl who does not yet speak French
and a girl whose only peculiarity seems to be a preoccupation with brushing her
hair.<span style="mso-spacerun: yes;"> </span>A chance encounter with a wild fox
and finally reaching the end of <u>Jane Eyre</u> help give Hélène confidence,
enough to recognize a new friend when one arrives.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Hélène’s story could easily stand in for any number of
children, of all genders, ethnicities, nationalities and orientation.<span style="mso-spacerun: yes;"> </span>Having self-doubt is not just a trait of the
picked-on, but all adolescents (and adults, for that matter) of all kinds,
everywhere, amen.<span style="mso-spacerun: yes;"> </span>This is a story that
transcends culture.<span style="mso-spacerun: yes;"> </span>At the same time,
however, <u>Jane, the fox & me</u> is littered with cultural references,
like pins on a digital map.<span style="mso-spacerun: yes;"> </span>Fashion is
often up for discussion, including the passing trend of old-fashioned crinoline
dresses and nautical-themed bathing suits.<span style="mso-spacerun: yes;">
</span>The inclusion of the character of Lucia Muniz, a recent transfer who
only speaks Spanish, is interesting in that she is labeled an outcast (by the
narrator, no less) merely for her language barrier, which is later breached by
a new friend with a little bit of Spanish in her back pocket.<span style="mso-spacerun: yes;"> </span>The addition of this new friend, Géraldine,
removes the last names from the other girls’ descriptions, changing them from
outcasts to fellow friendlies.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHoi2KPMqDImA89RX22JEco9sAUnGXQtxGRc9igk6wL4DRjrBRPy6hrGRoG_sJd2IQ0ctEZre-nNIBrzDd5Ta6UmH4e-65P5fYsM6i43AUY1R-TPwSVZ-G-exqxt3tysd2PSse3KKnU2I/s1600/janefox2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHoi2KPMqDImA89RX22JEco9sAUnGXQtxGRc9igk6wL4DRjrBRPy6hrGRoG_sJd2IQ0ctEZre-nNIBrzDd5Ta6UmH4e-65P5fYsM6i43AUY1R-TPwSVZ-G-exqxt3tysd2PSse3KKnU2I/s1600/janefox2.jpg" height="213" width="320" /></a></div>
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<br /></div>
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Originally published in French, in Montreal, Canada in 2012,
<u>Jane, the fox & me</u> was translated by Christelle Morelli and Susan
Ouriou and published in English in 2013.<span style="mso-spacerun: yes;">
</span>It appeared on the <strong><span style="font-family: "Calibri","sans-serif"; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;">United States Board on Books for Young People’s (USBBY) list of
Outstanding International Books in 2014.<span style="mso-spacerun: yes;">
</span>In 2013, it was named by the New York Times Book Review as one of the
Best Illustrated Children’s Books.<span style="mso-spacerun: yes;"> </span>The
book received at least three starred reviews, and overwhelmingly favorable reviews
across the board.<span style="mso-spacerun: yes;"> </span>Francisca Goldsmith of
Booklist called it “</span></strong>An elegant and accessible approach to an
important topic” and stated that “Britt's well-constructed narrative is
achieved sensitively through Arsenault's impressionistic artwork” (Oct. 15<sup>th</sup>,
2013).<span style="mso-spacerun: yes;"> </span>Karen Coats from The Bulletin of
the Center for Children’s Books highlighted Arsenault’s artwork:</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>“Helene's emotional
tangle is given poignant expression through Arsenault's pitch-perfect
mixed-media art; thin pencil-lined figures picked out against smudgy neutral
grays and muted sepia tones highlight both the sharp-edged sources and limned
echoes of Helene's everyday sadness, while the depictions of her imagined
scenes from <i>Jane Eyre</i> are cleaner and more colorful, bringing in reds
and greens, and even on occasion exploding into luminous watercolor landscapes.
The contrast is striking and sets up the almost mystical tone of the encounter
with the fox, who stands out in the red previously reserved for Helene's
imaginary connection with Jane.” (Nov. 2013)</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>Jane, the fox & me</u> is a wonderful book to give to
fans of <u>Jane Eyre</u>, but also to readers who have not yet experienced the
classic.<span style="mso-spacerun: yes;"> </span>Britt’s narrative does give
away details of Jane’s story, but the pleasure Hélène takes in reading it could
easily inspire others to take up the tale.<span style="mso-spacerun: yes;">
</span>Britt even mirrors <u>Jane Eyre</u>’s beginning with her opening line, “There
was no possibility of hiding anywhere today.”</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Readers inspired by Arsenault’s artwork could explore her
previous works, including the picture books <u>Migrant</u>, written by Maxine
Trotter and <u>Spork</u> and <u>Virginia, Wolf</u>, written by Kyo Maclear.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The exploratory nature of Hélène’s narrative would offer a
good segue into graphic memoirs, such as those listed above (especially <u>Smile</u>,
which tackles some of the same feelings of self-doubt), but also such graphics
as <u>Persepolis: The Story of a Childhood</u> by Marjane Satrapi, <u>Little
White Duck: A Childhood in China</u> by <span class="marcviewsubfielddata">Na Liu
and Andrés Vera Martínez and <u>The Color Trilogy</u> by Kim Dong Hwa, all of
which touch on issues of identity and adolescence in a way that is tied into
the characters’/memoirists’ cultural background.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span class="marcviewsubfielddata">Britt, Fanny.<span style="mso-spacerun: yes;"> </span><u>Jane, the fox & me</u>.<span style="mso-spacerun: yes;"> </span>Illustrated by Isabelle Arsenault.<span style="mso-spacerun: yes;"> </span>Translated by </span>Christelle Morelli and
Susan Ouriou.<span style="mso-spacerun: yes;"> </span>Toronto: Groundwood Books,
2013.<span style="mso-spacerun: yes;"> </span>ISBN: 9781554983605<u><span style="color: blue; font-size: 10.0pt; line-height: 115%;"><br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></u></div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-77932029974238408342014-09-09T11:24:00.000-07:002014-09-09T11:24:09.450-07:00Class Post - Review - "Hunwick's Egg"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-0ZVP2QN2hyDWaG6E2LWn12hHq9HialngajB0iNstZ82YE-ssBhFKejlvLIl_ulc0IAFbTQY0r3B7zm0pk4X7R0HKj17MWiKUtQQ3j6BFU2XoDy-jjU__bMi4emr3GRq5IODdjQFERls/s1600/hunwick.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-0ZVP2QN2hyDWaG6E2LWn12hHq9HialngajB0iNstZ82YE-ssBhFKejlvLIl_ulc0IAFbTQY0r3B7zm0pk4X7R0HKj17MWiKUtQQ3j6BFU2XoDy-jjU__bMi4emr3GRq5IODdjQFERls/s1600/hunwick.jpg" height="200" width="200" /></a></div>
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Hunwick the bandicoot finds an abandoned egg one evening
after a storm.<span style="mso-spacerun: yes;"> </span>The egg’s mother cannot
be found, so Hunwick takes it home with him.<span style="mso-spacerun: yes;">
</span>Hunwick becomes the perfect egg-parent, attentive, affectionate and
protective.<span style="mso-spacerun: yes;"> </span>But the egg never hatches,
and Hunwick’s neighbors start to worry about him.</div>
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<br /></div>
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Animals with adopted eggs is hardly a new story, even when <u>Hunwick’s
Egg</u> was published in 2005.<span style="mso-spacerun: yes;"> </span>Horton
hatched an egg in 1940, after all.<span style="mso-spacerun: yes;"> </span>But
with a surprise “twist” ending, Mem Fox, doyenne of animal picture books, has
created something special.<span style="mso-spacerun: yes;"> </span>Fox and
illustrator Pamela Lofts give readers an adorable hero (I dare anyone to turn
the page to Hunwick’s introduction and not say, “Aww”) with an unusual problem:
an egg that won’t hatch.<span style="mso-spacerun: yes;"> </span>Fox’s
repetition of the phrase, “Neither did it hatch” reinforces for young readers
and listeners the passage of time and the feeling that something is not quite
right.<span style="mso-spacerun: yes;"> </span>Fox’s story is a gentle one.<span style="mso-spacerun: yes;"> </span>Hunwick’s friends worry about him, but do not
tease, as Horton’s friends did.<span style="mso-spacerun: yes;"> </span>Hunwick
cares for the egg, developing a friendship with an inanimate object in a way
that young children with stuffed animals and imaginary friends can well
understand.<span style="mso-spacerun: yes;"> </span>Pamela Lofts’ illustrations
of the Australian wildlife are wonderfully detailed, and the layout of the
pages, with small boxes of action and highlighted images against a white
background, is inviting without being overwhelming.</div>
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<br /></div>
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<u>Hunwick’s Egg</u> won the Anne Izard Storytellers’ Choice
Award in 2007, and was named to the Bank Street College of Education’s Best
Children’s Books of the Year list in 2005.<span style="mso-spacerun: yes;">
</span>It was also shortlisted for several Australian literature awards,
including the Young Australians Best Book Award in 2013.<span style="mso-spacerun: yes;"> </span></div>
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<br /></div>
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Critics did not always agree with my positive assessment of <u>Hunwick’s
Egg</u>.<span style="mso-spacerun: yes;"> </span>Gillian Engberg for Booklist
found that Fox’s “abrupt conclusion is puzzling… [b]ut children will easily be
drawn to Lofts' astonishingly expressive animal characters, and Fox's gentle
text may resonate with young ones who feel a magical connection or
companionship with their own cherished rock, shell, or shred of blanket” (Feb.
15<sup>th</sup>, 2005).<span style="mso-spacerun: yes;"> </span>Kirkus Reviews
wrote that “Several disconnects between text and pictures sink this faintly
bizarre tale of a solitary elder who adopts an understandably silent confidante”
(Jan. 15<sup>th</sup>, 2005).<span style="mso-spacerun: yes;"> </span>However,
bizarre is hardly the worst thing that could be said about a picture book, and
if you’re Chris Van Allsburg, it’s practically a requirement.<span style="mso-spacerun: yes;"> </span>I have found that children respond well to
the rhythm and general good vibes of this story.<span style="mso-spacerun: yes;"> </span>The detail of the illustrations might be better
served in a large book format, however, as children are always wanting to see
this book close up.</div>
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<br /></div>
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Mem Fox is a staple of my storytime routine, and fans of <u>Hunwick’s
Egg</u> have many directions in which to go if they want to explore more of Fox’s
work. <span style="mso-spacerun: yes;"> </span><u>Where is the Green Sheep?</u>,
illustrated by Judy Horacek, is perhaps my favorite because it works with a
variety of ages.<span style="mso-spacerun: yes;"> </span><u>Let’s Count Goats!</u>,
illustrated by the criminally underappreciated Jan Thomas is another fun,
interactive book.<span style="mso-spacerun: yes;"> </span>If the reader or listener
wishes another zoological trip to Australia, Fox has several titles to offer,
including <u>Koala Lou</u> and <u>Possum Magic</u>.<span style="mso-spacerun: yes;"> </span>There are also two other, non-Fox books about
Australian animal life that are wonderful books to recommend: <u>Over in
Australia: Amazing Animals Down Under</u>, written by Marianne Berkes and
illustrated by Jill Dubin and <u>An Australian ABC of Animals</u>, written and
illustrated by Bronwyn Bancroft.</div>
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<br /></div>
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How can you not like Hunwick?<span style="mso-spacerun: yes;"> </span>Just look at that face!</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Fox, Mem.<span style="mso-spacerun: yes;"> </span><u>Hunwick’s
Egg</u>.<span style="mso-spacerun: yes;"> </span>Orlando: Harcourt, 2005.<span style="mso-spacerun: yes;"> </span>ISBN: 9780152163181 (Illustrated by Pamela
Lofts)</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-79911954208419520412014-09-09T10:29:00.000-07:002014-09-09T10:29:14.691-07:00Class Post - Review - "The Man Who Went to the Far Side of the Moon"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0brJQfI0w4lBK4NSII-0lOYKjIVrll3yHDQVEs1zC0Jcu478ssRns8nqktwAbOzSuQIyMVSVe79KrDY3drvrc0FWcngehA3Agk_2wq3ly0RoXKaR9FLbJ3sFeiHvGMmX0Gq0VEAurypA/s1600/farsidemoon.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0brJQfI0w4lBK4NSII-0lOYKjIVrll3yHDQVEs1zC0Jcu478ssRns8nqktwAbOzSuQIyMVSVe79KrDY3drvrc0FWcngehA3Agk_2wq3ly0RoXKaR9FLbJ3sFeiHvGMmX0Gq0VEAurypA/s1600/farsidemoon.jpg" height="200" width="158" /></a></div>
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There are some stories that we know so well, it takes a truly
distinctive book to do them the proper justice.<span style="mso-spacerun: yes;">
</span>The Moon Landing might well be one of those stories.<span style="mso-spacerun: yes;"> </span>We remember the grainy footage, the crackle
of the audio link and Neil Armstrong’s immortal words.<span style="mso-spacerun: yes;"> </span>But for children who are just learning about
this monumental feat of human achievement, this is often as far as the story
goes.<span style="mso-spacerun: yes;"> </span>Neil Armstrong landed on the moon,
picked up some moon rocks and came home.<span style="mso-spacerun: yes;">
</span>The end.<span style="mso-spacerun: yes;"> </span>Bea Uusma Schyffert’s <u>The
Man Who Went to the Far Side of the Moon: The Story of Apollo 11 Astronaut
Michael Collins</u> is a unique approach to the story of man’s quest for the
moon that gives readers a backstage glimpse of this historical milestone.</div>
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illustrate and advance the narrative.<span style="mso-spacerun: yes;">
</span>Readers are given context for all three men on the mission (Collins,
Armstrong and Buzz Aldrin), but it is Collins who is the emotional center of
this book.<span style="mso-spacerun: yes;"> </span>Never setting foot on the moon
himself, Collins orbits the moon the in the <i style="mso-bidi-font-style: normal;">Columbia</i>
spacecraft, confined to a small space and isolated for 14 revolutions, over
twenty-five hours.<span style="mso-spacerun: yes;"> </span>Schyffert gives
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without radio communication, on the dark side of the moon.</div>
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<u>The Man Who Went to the Far Side of the Moon</u> was a
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professional publications.<span style="mso-spacerun: yes;"> </span>Booklist
said, “More than a trip to the Smithsonian, even more than viewing the film
Apollo 13, this excellent book--illustrated scrapbook-style with a cleverly
presented mix of photographs, illustrations, and charts--communicates the
excitement of space travel” (Nov. 1<sup>st</sup>, 2003). Children’s Literature
also took note of the book’s visual appeal, saying, “Photos, drawings,
diagrams, a reproduction of Collins' checklist, and his own handwritten
observations are filled with fascinating details” (2003).</div>
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<u>The Man Who Went to the Far Side of the Moon</u> is an
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and readable, but jammed with information.<span style="mso-spacerun: yes;">
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Landing, include Brian Floca’s <u>Moonshot: The Flight of Apollo 11</u> and other
space exploration books, like Tanya Lee Stone’s <u>Almost Astronauts: 13 Women
Who Dared to Dream</u> and Ian Graham’s <u>You Wouldn’t Want to Be on Apollo 13!:
A Mission You’d Rather Not Go On</u> (The “You Wouldn’t Want…” series is a
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with cartoonish accompaniment and relish dealing with things that might be
icky, such as Aztec sacrifice).</div>
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Apollo 11 was an American aerospace endeavor, but the
accomplishment belongs to the world.<span style="mso-spacerun: yes;">
It was a global achievement, one that was witnessed on television by one-fifth of the Earth's population. </span>Schyffert’s book, originally published in Sweden, illustrates this
fact.<span style="mso-spacerun: yes;"> </span>The appreciation and admiration of
Armstrong, Aldrin and especially Collins is evident, but the book never stoops
to glorifying them, in a way that might be present in an American-produced
publication.<span style="mso-spacerun: yes;"> </span>Schyffert seems to be
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was human, an ordinary man who did an extraordinary thing.</div>
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Schyffer, Bea Uusma.<span style="mso-spacerun: yes;"> </span><u>The
Man Who Went to the Far Side of the Moon: The Story of Apollo 11 Astronaut
Michael Collins</u>. San Francisco: Chronicle Books, 2003.<span style="mso-spacerun: yes;"> </span>ISBN: 9780811840071</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-75615878012126971102014-08-27T09:04:00.001-07:002014-08-27T09:04:29.452-07:00Review - "Spirit's Key"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCGZyoXNVFu_yAByEXUc7VT9G2Dq76KXqHccbsUEQxNCSn0kzULUbeda2pzcSqxlBGlULCZre9XlxdBE6gOeMePgIh1SF81aykiWGiCz39OuT2QM2_8xjIFjQ1SuXFpPm6cZHZKGfa1vk/s1600/spirit.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCGZyoXNVFu_yAByEXUc7VT9G2Dq76KXqHccbsUEQxNCSn0kzULUbeda2pzcSqxlBGlULCZre9XlxdBE6gOeMePgIh1SF81aykiWGiCz39OuT2QM2_8xjIFjQ1SuXFpPm6cZHZKGfa1vk/s1600/spirit.jpg" height="200" width="131" /></a></div>
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<br /></div>
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Spirit Holden and her father live on Bald Island, a small,
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I had a hard time getting into <u>Spirit’s Key</u> at first,
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remarkable strength in her convictions.<span style="mso-spacerun: yes;"> </span><u>Spirit’s
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<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>Spirit’s Key</u> by Edith Cohn<br />
2014, Farrar Straus Giroux<br />
Preview copy provided by publisher for review</div>
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On bookshelves September 9th</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-78819845967785089492014-08-16T08:18:00.000-07:002014-09-06T07:27:06.774-07:00Review Double Feature - "Celie Valentine" and "Can't We Talk About Something More Pleasant?"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijAEw0l4BaeH29rE6G0mUTJDwIdjoGaVXbfIhu6Mu347mjRDL8ZJqVQ2pD7ngFyNhiVdNLGHCptZBIFbz40AHgckKvkV0DqFSS_MFyYpeVegfI-DghIZ1gHhKvAp80zP6DgC9MoZI0iMk/s1600/celie.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijAEw0l4BaeH29rE6G0mUTJDwIdjoGaVXbfIhu6Mu347mjRDL8ZJqVQ2pD7ngFyNhiVdNLGHCptZBIFbz40AHgckKvkV0DqFSS_MFyYpeVegfI-DghIZ1gHhKvAp80zP6DgC9MoZI0iMk/s1600/celie.jpg" height="200" width="132" /></a></div>
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<div class="MsoNormal">
Dealing with the decline in health and acuity in a loved one
is a difficult thing to process, no matter what your age.<span style="mso-spacerun: yes;"> </span>In an unforeseen coincidence, two books I
recently read both dealt with this issue, one from the point of view of a young
grandchild, <u>The Top-Secret Diary of Celie Valentine: Friendship Over</u> by
Julie Sternberg, and one from the memories of an adult daughter, <u>Can’t We
Talk About Something More Pleasant?</u> by Roz Chast.<span style="mso-spacerun: yes;"> </span>One is lower middle grade diary fiction and
the other is a graphic memoir intended for adults.<span style="mso-spacerun: yes;"> </span>But these books are so similar, I couldn’t
help but conflate them, especially given that the fates aligned to have me read
them back to back.<br />
<br style="mso-special-character: line-break;" /></div>
<div class="MsoNormal">
In <u>Friendship Over</u>, young Celie Valentine pores her
heart out into a journal given to her by her father so that she may “work
through your feelings”.<span style="mso-spacerun: yes;"> </span>Celie’s other
gift was a punching bag, for the same reason.<span style="mso-spacerun: yes;">
</span>And Celie has feelings to get out, boy howdy.<span style="mso-spacerun: yes;"> </span>Her best friend in the whole world, Lula, has
suddenly and inexplicably stopped talking to her, and has iced her out completely.<span style="mso-spacerun: yes;"> </span>Celie is nestled in the anger portion of her
grief over the loss of her friendship, and lets loose on her diary all her
frustrations, in words and pictures.<span style="mso-spacerun: yes;"> </span>To
add to her tumult, things are tense in her home because her beloved Granny has
been unreachable, and her health has become suspect.<span style="mso-spacerun: yes;"> </span>Celie doesn’t understand why her parents are
worried that Granny’s “mind is slipping”.<span style="mso-spacerun: yes;">
</span>What does that even mean?</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoMluMG4SFYYDVQlFLhqkzwQv-sKSpp57oamdUadb1FdXqcgBdqjAYvRMNOJpWq79sQa7WC_Zu8CCgSQ1CRNJgzv9GX68zDwMiimbZ_PHFaUAf-a0Ys6GtKUSK7Lj76LPlMuJAAHKB0C4/s1600/pleasant.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoMluMG4SFYYDVQlFLhqkzwQv-sKSpp57oamdUadb1FdXqcgBdqjAYvRMNOJpWq79sQa7WC_Zu8CCgSQ1CRNJgzv9GX68zDwMiimbZ_PHFaUAf-a0Ys6GtKUSK7Lj76LPlMuJAAHKB0C4/s1600/pleasant.jpg" height="200" width="163" /></a><u>Can’t We Talk About Something More Pleasant?</u>, on the
other hand, is Roz Chast’s chronicle of the <span style="mso-spacerun: yes;"></span>last several years of her elderly
parents lives. In their nineties, though
seemingly healthy and, especially in her mother’s case, sturdy, Chast's parents bristle when she broaches
the topic of their <i style="mso-bidi-font-style: normal;">plans</i>.<span style="mso-spacerun: yes;"> </span>Enter the titular comment.<span style="mso-spacerun: yes;"> </span>As her parents’ health and mental awareness <span style="mso-spacerun: yes;"> </span>declines, Chast goes from bi-weekly visits to
deliver groceries to overnight trips to the ramshackle Brooklyn apartment her
family had always called home.<span style="mso-spacerun: yes;"> </span>When it
becomes clear that her parents can no longer live on their own, Chast moves
them closer to her home in Connecticut to an assisted living facility, therein
referred to as “The Place”, and continues to make arrangements for them and
care for them until the end.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Having read the two books back to back, the contrast between
the two point of views, that of a young person, and an adult, on the concepts
and realities of aging, were striking.<span style="mso-spacerun: yes;">
</span>Sternberg’s Celie, first so adamant that her Granny is absolutely fine
(why wouldn’t she be?), transitions into a fierce protectiveness and take charge
attitude. <span style="mso-spacerun: yes;"> </span>She suggests that her Granny
come live with her family (even if it means giving up her bed and sleeping on a
saggy air mattress) before the topic had even been broached by her
parents.<span style="mso-spacerun: yes;"> </span><u>Friendship Over</u> is the
first in a new series, so time will tell how much this storyline will play into
the series as a whole, but I can only assume Granny will continue to be a big
part of Celie’s life.</div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhufmfFbgqY1JVjyAtwTLM5oFH4pR8kQrl-vwgEUGmsYwrE7rLK1HU8RU89zlD6IeTDocURhBPRUcbbk1CqGKpZ2cRXDT7JKrXuTYvGxES0qHRTt0IUps-mR-8mgFSNdlsWBePrWpKx-iE/s1600/pleasantgrime.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhufmfFbgqY1JVjyAtwTLM5oFH4pR8kQrl-vwgEUGmsYwrE7rLK1HU8RU89zlD6IeTDocURhBPRUcbbk1CqGKpZ2cRXDT7JKrXuTYvGxES0qHRTt0IUps-mR-8mgFSNdlsWBePrWpKx-iE/s1600/pleasantgrime.jpg" height="400" width="324" /></a></div>
<div class="MsoNormal">
Roz Chast, however, is the adult in her situation,
and as an only child, the sole person responsible for her parents care and
welfare.<span style="mso-spacerun: yes;"> </span>The issue?<span style="mso-spacerun: yes;"> </span>Chast’s relationship with her parents is
hardly one you would call warm and fuzzy, especially with her domineering,
obstinate and belligerent mother.<span style="mso-spacerun: yes;"> </span>So
Chast has a different mindset than Celie, one that is concerned for her
parents, but also concerned with the financial cost of their care, the ethical
cost of prolonging their lives, and even the mammoth task of evacuating a 70+
year partnership out of an apartment.<span style="mso-spacerun: yes;"> </span>The
tale of Roz and her parents' apartment, from processing the years and years and
years of <i style="mso-bidi-font-style: normal;">stuff</i>, separating the wheat
from the chaff, giving up on finding wheat, finally leaving the whole mess for
the landlord to sort/steal/throw out the window and the subsequent reevaluation
of her own collection and accumulation of <i style="mso-bidi-font-style: normal;">stuff</i>
is one of the most hilarious moments in her memoir.<span style="mso-spacerun: yes;"> </span>Oh, right.<span style="mso-spacerun: yes;">
</span>Did I mention <u>Can We Talk About Something More Pleasant?</u> is
supposed to be funny?<span style="mso-spacerun: yes;"> </span>It is,
and dreadfully so.<span style="mso-spacerun: yes;"> </span>I can’t count the number
of times I laughed out loud, at something that is both utterly tragic and authentic,
but dead funny at the same time. I would think that Roz Chast is sharing one of
the most difficult passages of her life, in the hopes that readers can laugh
where she could not, in accordance to the ultimate absurdity of human life in
general.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Unless one dies young, dealing with the passing of a loved
one is an inevitable part of life.<span style="mso-spacerun: yes;">
</span>Thanks to Julie Sternberg and Roz Chast, we now have two wonderful new
books to help us through.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>The Top-Secret Diary of Celie Valentine: Friendship Over</u>
by Julie Sternberg, illustratred by Johanna Wright<br />
2014, Boyds Mills Press<br />
Preview copy provided by publisher for review</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>Can’t We Talk About Something More Pleasant?</u> by Roz
Chast<br />
2014, Bloomsbury USA<br />
Library copy</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-62512832451322041372014-08-13T14:00:00.000-07:002014-09-06T07:26:52.616-07:00The Newbery Challenge - 1922 - "The Story of Mankind"<!--[if gte mso 9]><xml>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp0szkAQb8wPlMxF_Nx0wsjj0sSm2T9V-djmGoMHl2mMTbWY_fwWq9MIkzLd9jNKKfQo0Y918YmPjd8_EpizwpuzINythQJ5vsdT9uotPJ7LoVVfXuzl6yIjqfzfkT14DDrb_jNNuBS90/s1600/mankind.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp0szkAQb8wPlMxF_Nx0wsjj0sSm2T9V-djmGoMHl2mMTbWY_fwWq9MIkzLd9jNKKfQo0Y918YmPjd8_EpizwpuzINythQJ5vsdT9uotPJ7LoVVfXuzl6yIjqfzfkT14DDrb_jNNuBS90/s1600/mankind.jpg" height="200" width="133" /></a></div>
<div class="MsoNormal">
At the beginning of the year, I decided (because I wasn’t
busy enough as it was) to undergo the Newbery challenge.<span style="mso-spacerun: yes;"> </span>That is, I dared myself to read every single
Newbery Medal winner, starting from the beginning.<span style="mso-spacerun: yes;"> </span>This would include any and all volumes that I
had previously read.<span style="mso-spacerun: yes;"> </span>I knew this would
be a large undertaking, and would likely take me quite a long time.<span style="mso-spacerun: yes;"> </span>I did not anticipate, however, that the first
book on the roster would take six and a half months to check off.</div>
<div class="MsoNormal">
The very first John Newbery Medal was awarded in 1922 to <u>The
Story of Mankind</u>, by Hendrick Willem van Loon.<span style="mso-spacerun: yes;"> </span>Originally published in 1921, the tome of
human history has been routinely updated throughout the years (the most recent
edition was released in 2013).<span style="mso-spacerun: yes;"> </span>The
edition I read was updated in 1984.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
After completing <u>The Story of Mankind</u>, I took a peek
online to see what other readers were saying.<span style="mso-spacerun: yes;">
</span>I was not in the least bit surprised to see decidedly mixed opinions,
some of them very strong indeed.<span style="mso-spacerun: yes;"> </span><u>The
Story of Mankind</u> was written before the age of political correctness,
before the Civil Rights movement, before the women’s movement.<span style="mso-spacerun: yes;"> </span>Written at the close of World War I, van Loon
had only a glimpse at the twentieth century.<span style="mso-spacerun: yes;">
</span>As such, van Loon’s style of writing, his choice of language, his
selection of topics might to our ears sound backward, biased or just plain
wrong.<span style="mso-spacerun: yes;"> </span>But van Loon is performing something
of a magic trick with his history, and I believe I fall on the side of
appreciating his unique approach.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
“Few things in human life are either entirely good or
entirely bad.<span style="mso-spacerun: yes;"> </span>Few things are either
black or white.<span style="mso-spacerun: yes;"> </span>It is the duty of the
honest chronicler to give a true account of all the good and bad sides of every
historical event.<span style="mso-spacerun: yes;"> </span>It is very difficult
to do this because we all have our personal likes and dislikes…Take my own case
as an example.” – Hendrick Willem van Loon, <u>The Story of Mankind</u></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
In this passage from van Loon’s history, located in a
chapter on the Reformation, van Loon outlines the importance of objectivity in
writing history and then promptly explains why this almost never, if ever,
happens.<span style="mso-spacerun: yes;"> </span>Many, I am sure, are familiar
with the phrase, “History is written by the winners”.<span style="mso-spacerun: yes;"> </span>This, obviously, is true. <span style="mso-spacerun: yes;"> </span>This is partially due to an innate human tendency
to associate winning with acceptance.<span style="mso-spacerun: yes;">
</span>Van Loon would likely say this erroneous assumption is a result of
hundreds of years of “Divine Right”, of monarchs, pharaohs and Popes whose
power over the people is ordained by the will of a divine power.<span style="mso-spacerun: yes;"> </span>Therefore, the opinions of the losers are
rarely cherished.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Is this right or just?<span style="mso-spacerun: yes;">
</span>Of course not.<span style="mso-spacerun: yes;"> </span>And more and more
in today’s modern world of global communication, this axiom is becoming less
and less true.<span style="mso-spacerun: yes;"> </span>The voices of “the little
people” are getting louder by the minute (for good or ill).<span style="mso-spacerun: yes;"> </span>But in van Loon’s time, in the early 20<sup>th</sup>
century, history was written by educated white men, and the other side of the
story was buried.<span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
What makes van Loon’s history different is not that he is
something special, more enlightened and in tune with the voice of the downtrodden
(though I believe he is), but that he is upfront about his prejudices.<span style="mso-spacerun: yes;"> </span>He acknowledges that history, all history, is
presented through a lens of one kind or another.<span style="mso-spacerun: yes;"> </span>There is no such thing as an impartial
history.<span style="mso-spacerun: yes;"> </span>This is largely what I found so
fascinating about van Loon’s book.<span style="mso-spacerun: yes;"> </span>Yes,
it is grossly Euro-centric, blind of females and indifferent (at best) on the
topic of religion.<span style="mso-spacerun: yes;"> </span>But this is van Loon’s
point of view.<span style="mso-spacerun: yes;"> </span>“I state these few facts
deliberately that you may know the personal bias of the man who wrote this
history and may understand his point-of-view.”<span style="mso-spacerun: yes;">
</span>You can’t get much clearer than that.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Van Loon wrote his history from the perspective of his own
life and time, and therefore included only the things he thought to be
immediately relevant to the world as he knew it.<span style="mso-spacerun: yes;"> </span>After all, in a book called <u>The Story of
Mankind</u>, if you want it under a thousand pages, there are going to have to
be some cuts.<span style="mso-spacerun: yes;"> </span>This is why there is very
little information about the Far East in van Loon’s history.<span style="mso-spacerun: yes;"> </span>In 1921, the West knew relatively little
about Asia, which had been for so long hidden and closed off.<span style="mso-spacerun: yes;"> </span>And for a man in 1921, it would be very easy
to imagine that the goings on these distant lands would not have such a huge and
irrevocable role to play on the world stage in the years to come.<span style="mso-spacerun: yes;"> </span>It would be fascinating to consider how van
Loon would have written his history if he were writing from 2014.<span style="mso-spacerun: yes;"> </span>Many things, I imagine, would be different.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
As for the absence of women in van Loon’s text (with the
notable exception of Queen Elizabeth I, whom he affectionately refers to as “Old
Queen Bess”), here is another open prejudice, of van Loon’s and of the time in
which he wrote.<span style="mso-spacerun: yes;"> </span>There is a wonderful character
created by Alan Bennett in the play “The History Boys” named Mrs. Lintott.<span style="mso-spacerun: yes;"> </span>While attempted to prepare her students to
take exams in history, Mrs. Lintott makes this observation:</div>
<div class="MsoNormal">
<span style="mso-tab-count: 1;"> </span></div>
<div class="MsoNormal">
<span style="mso-tab-count: 1;"> </span>“History’s
not such a frolic for women as it is for men.<span style="mso-spacerun: yes;">
</span>Why should it be?<span style="mso-spacerun: yes;"> </span>They never get
round the conference table.<span style="mso-spacerun: yes;"> </span>In 1919, for
instance, they just arranged the flowers then gracefully retired.<span style="mso-spacerun: yes;"> </span>History is a commentary on the various and
continuing incapabilities of men.<span style="mso-spacerun: yes;"> </span>What
is history?<span style="mso-spacerun: yes;"> </span>History is women following
behind with the bucket.”</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Van Loon was writing from a time that was before Eleanor
Roosevelt, Amelia Earhart, Rosa Parks, Indira Gandhi, Margaret Thatcher, <span style="mso-bidi-font-weight: bold;">Aung San Suu Kyi, women whose courage,
passion, and leadership forced the world to pay attention and take note of
their impact on the world.<span style="mso-spacerun: yes;"> </span>From where
van Loon sat, women in American had <i style="mso-bidi-font-style: normal;">just</i>
earned the right to vote, and the women’s liberation movement was decades away.<span style="mso-spacerun: yes;"> </span>While I hardly agree with his male-centric
view of the world, I can hardly blame him either.</span></div>
<div class="MsoNormal">
<span style="mso-bidi-font-weight: bold;"><br /></span></div>
<div class="MsoNormal">
<span style="mso-bidi-font-weight: bold;">Finally, who exactly
is van Loon’s intended audience?<span style="mso-spacerun: yes;"> </span>For a
modern reader, this book would easily be classified as one for adults.<span style="mso-spacerun: yes;"> </span>In fact, in my library, both copies of the book
are shelved with adult non-fiction.<span style="mso-spacerun: yes;">
</span>However, the writing style, I think, lends itself quite handily to a
younger reader.<span style="mso-spacerun: yes;"> </span>Van Loon’s employment of
the first person and direct address give even the most ancient history a sense
of immediacy.<span style="mso-spacerun: yes;"> </span>Furthermore, van Loon has
a sly and sharp sense of humor, a perfect ploy to pull along a reluctant
reader.<span style="mso-spacerun: yes;"> </span>The length is forbidding (nearly
six hundred pages as of 1984, approaching eight hundred as of the last update
in 2013), but with plentiful illustrations and short chapters, the book is eminently
readable.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-bidi-font-weight: bold;">Writing timeless
history is a difficult job, to say the least.<span style="mso-spacerun: yes;">
</span>But with honesty, transparency and humor, I think van Loon has achieved
just that.<span style="mso-spacerun: yes;"> </span>The Newbery committee of 1922
certainly had forward-thinking caps on the day they voted for this winner.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-bidi-font-weight: bold;">Next: <u>The Voyages
of Doctor Dolittle</u>!</span></div>
<div class="MsoNormal">
<br /></div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-9192236419659128112014-06-03T09:06:00.000-07:002014-06-03T09:06:13.502-07:00Review - "The Children of the King"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFIYfkllB5_-Msy0M9Vf091vCOWDzYRYB8zhIHzwEI7I7LfbxHCO5GF7UZ5-D-KcVB3e6IfVYrdYIVbHKYG3MSdnlyWy0n0LkQF2rl-HZ_WM8YyI_AUvqFFIgamGedVHMTzPSB1JWMF7A/s1600/childrenking.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFIYfkllB5_-Msy0M9Vf091vCOWDzYRYB8zhIHzwEI7I7LfbxHCO5GF7UZ5-D-KcVB3e6IfVYrdYIVbHKYG3MSdnlyWy0n0LkQF2rl-HZ_WM8YyI_AUvqFFIgamGedVHMTzPSB1JWMF7A/s1600/childrenking.jpg" height="200" width="134" /></a></div>
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There are some books that positively pulsate with good
vibes, even when the subject matter is grim.<span style="mso-spacerun: yes;">
</span>It can be because of a particularly optimistic character, small acts of
courage and good faith, and it can also be because of the vivacity of the language.<span style="mso-spacerun: yes;"> </span>We have all of these things on display in
Sonya Hartnett’s <u>The Children of the King</u>.</div>
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<br /></div>
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The Second World War is rearing its ugly head, France has
fallen and Britain is on the verge of attack.<span style="mso-spacerun: yes;">
</span>Hordes of children are being sent away from the city into the
countryside, into the arms of family, friends, or even strangers, for safe
keeping.<span style="mso-spacerun: yes;"> </span>Two such children, Cecily and
Jeremy Lockwood, have the upper class luxury of escaping with their mother to
their uncle’s lavish country estate in the north.<span style="mso-spacerun: yes;"> </span>At Cecily insistence and Jeremy’s calm
approval (“It’s the right thing to do”), the Lockwood’s take in an evacuee
named May.<span style="mso-spacerun: yes;"> </span>Once safely ensconced in
Heron Hall, Cecily does her best to make May her new best friend, while still
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of England’s past, with Kings and Queens and children in peril.<span style="mso-spacerun: yes;"> </span>Through the horrors of the war told in hush
whispered over folded newspapers and the ceaseless lessons learned from Uncle
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temper (though her bursts of anger blow over as quickly as they came).<span style="mso-spacerun: yes;"> </span>She wants May to be her friend, but she also
wants to lord over her, making sure her generosity is never forgotten.<span style="mso-spacerun: yes;"> </span>May, for her part, is reserved, but curious,
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</span>The emphasis on power, how it festers and corrupts could not hold more
relevance for the war at their doorstep.<span style="mso-spacerun: yes;">
</span>Ms. Hartnett’s use of language is both whimsical and classical.<span style="mso-spacerun: yes;"> </span>“Every castle is haunted,” says Uncle
Peregrine.<span style="mso-spacerun: yes;"> </span>“Hauntings are as common as
cats.”<span style="mso-spacerun: yes;"> </span>“His wife snorted like a dubious
pig in an apron”.<span style="mso-spacerun: yes;"> </span><u>The Children of the
King</u> is littered with such rich and imaginative language.<br /></div>
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Despite the heavy subject matter, <u>The Children of the
King</u> is a delight to read.<span style="mso-spacerun: yes;"> </span>Of Ms.
Hartnett’s work, I’ve only read (and absolutely loved) <u>Sadie and Ratz</u>,
an early chapter book I recommend to emerging readers all the time.<span style="mso-spacerun: yes;"> </span>I have a few more of her works on my shelves,
and they are shooting right up the reading list.<span style="mso-spacerun: yes;"> </span>With novels like this, it is easy to
understand why Ms. Hartnett was the recipient of the 2008 Astrid Lindgren
Memorial Award.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>The Children of the King</u> by Sonya Hartnett<br />
2014, Candlewick Press<br />
Library copy</div>
<div class="MsoNormal">
<br /></div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-77499572620179620212014-05-27T07:40:00.001-07:002014-05-27T07:40:33.685-07:00Review - "West of the Moon"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRhvidfbJke-yokEP27vTZyt1fPkm3fWXKQiAZ-Q-fafaH3DPixm9PvOtG28mSj_tmgZWOY6y5AYrE9mMJLpdbPL0kNWD_d8WSVsQRRZEveUg1rau-V8Jy-YAdvcvb6GUL-WKAmTd80GY/s1600/moon.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRhvidfbJke-yokEP27vTZyt1fPkm3fWXKQiAZ-Q-fafaH3DPixm9PvOtG28mSj_tmgZWOY6y5AYrE9mMJLpdbPL0kNWD_d8WSVsQRRZEveUg1rau-V8Jy-YAdvcvb6GUL-WKAmTd80GY/s1600/moon.jpg" height="200" width="133" /></a></div>
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<br />
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“What would you do?”<span style="mso-spacerun: yes;">
</span>This is a powerful question.<span style="mso-spacerun: yes;"> </span>It
forces the questioned to put themselves in situations outside their comfort
zone.<span style="mso-spacerun: yes;"> </span>It is a very useful question,
however, particularly with young readers.<span style="mso-spacerun: yes;">
</span>It can inspire and nurture empathy, a wholly valuable commodity.<span style="mso-spacerun: yes;"> </span>In Margi Preus’ new novel, <u>West of the
Moon</u>, readers might find they are asking themselves, “What would I do?”
quite often in the course of events, and the answers will not be easy
ones.<span style="mso-spacerun: yes;"> </span>But they are worth the asking.</div>
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<br /></div>
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“I am worth two silver coins and a haunch of goat.”<span style="mso-spacerun: yes;"> </span>When we join Astri’s story, she is being
“hired” out to a loathsome goatherd named Svaalberd by her duplicitous
aunt.<span style="mso-spacerun: yes;"> </span>Astri works for the goatherd day
and night under terrible conditions, and under his constant threat that they
will marry one day.<span style="mso-spacerun: yes;"> </span>Chief among
Svaalberd’s more despicable actions is his keeping locked up a simple, mute
girl who spins beautiful yarn for him.<span style="mso-spacerun: yes;">
</span>When Astri has a chance to escape, with the goatherd’s “treasure”
(which, given that she is certain the goatherd stole the treasure from trolls
himself, is not exactly stealing), she grabs the Spinning Girl and they make
for Astri’s home, to retrieve her little sister Greta.<span style="mso-spacerun: yes;"> </span>Astri means to flee to the fjord, where a
ship is bound for America, where the sisters can reunite with their father.<span style="mso-spacerun: yes;"> </span>But death and dark clouds follow the girls,
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This is not a book for the faint of heart.<span style="mso-spacerun: yes;"> </span>It is not a large book, but it is
weighty.<span style="mso-spacerun: yes;"> </span>This is not to say that it is
laborious, however.<span style="mso-spacerun: yes;"> </span>It is a task happily
done, because Ms. Preus writes with a clarity and conviction that would leave
no reader behind.<span style="mso-spacerun: yes;"> </span>Astri’s story is
difficult, and the choices has to make (and the consequences thereof) are
dire.<span style="mso-spacerun: yes;"> </span>But the fairy tale elements that
are woven throughout the tale, in Astri’s storytelling and the structure,
remind the reader there is still hope, even when facing Death himself.<span style="mso-spacerun: yes;"> </span>Extensive back matter reveals the inspiration
for this story, and gives more information about the folk and fairy tales
utilized by the plot.<span style="mso-spacerun: yes;"> </span></div>
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<br /></div>
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Ms. Preus has given us a magical piece of historical
fiction, and it is the kind of book that will be treasured by generations.</div>
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<br /></div>
<div class="MsoNormal">
<u>West of the Moon</u> by Margi Preus<br />
2014, Amulet Books<br />
Library copy</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-57900965375674725502014-04-25T14:26:00.003-07:002014-04-25T14:28:39.825-07:00Review - "Ava and Pip"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOFvGGFxqBi7zfL8erTK4iWTPpBppHW3hjcv7j59LQr_Q9-nJKSvkMsz3QXBcLJ9_VMNLoyCN9_XCyWVnguy2AM5hCur1J4u4hDA5raq7Zcmob2l1s_oak1UGPCvMaljHONHC_Xitzl6Y/s1600/ava.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOFvGGFxqBi7zfL8erTK4iWTPpBppHW3hjcv7j59LQr_Q9-nJKSvkMsz3QXBcLJ9_VMNLoyCN9_XCyWVnguy2AM5hCur1J4u4hDA5raq7Zcmob2l1s_oak1UGPCvMaljHONHC_Xitzl6Y/s1600/ava.jpg" height="200" width="132" /></a></div>
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<u>Ava and Pip</u> walks a very thin tightrope above a sea
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<u>Ava and Pip</u> by Carol Weston<br />
2014, Sourcebooks Jabberwocky<br />
Preview copy provided by publisher for review</div>
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<br /></div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0tag:blogger.com,1999:blog-8432791091557765805.post-56972479701227813542014-04-18T10:55:00.000-07:002014-04-18T10:55:35.917-07:00Review - "The Meaning of Maggie"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC4zLRwe6yN6I9paVfkxwlef7oHJu5Njn4KrM2FZVVKIy10Wf5FOXlvUQPwxD3WCWJUpk62OZccHL0f6qRHQaMm6UBAJGLTqImLjfS-sKEN5a71YP2PTW3fYnMCxoTy93jnf7LTRD5LkE/s1600/maggie.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC4zLRwe6yN6I9paVfkxwlef7oHJu5Njn4KrM2FZVVKIy10Wf5FOXlvUQPwxD3WCWJUpk62OZccHL0f6qRHQaMm6UBAJGLTqImLjfS-sKEN5a71YP2PTW3fYnMCxoTy93jnf7LTRD5LkE/s1600/maggie.jpg" height="200" width="142" /></a></div>
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<br />
<div class="MsoNormal">
Being a child can be distressing.<span style="mso-spacerun: yes;"> </span>I think many adults forget just how
unsettling being young can really be.<span style="mso-spacerun: yes;">
</span>You may be the smartest kid on the block, but there are things you won’t
know, things that adults won’t tell you, and hard truths you will have to
earn.<span style="mso-spacerun: yes;"> </span>The smallest of things can topple
even the most carefully built house of cards, and when you’re a kid, you’re
living in a world of cards.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Swipe</i>.<span style="mso-spacerun: yes;">
</span>Moving house/town/country.<span style="mso-spacerun: yes;"> </span>Start
over.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Swipe</i>.<span style="mso-spacerun: yes;"> </span>You finally learn
where babies come from.<span style="mso-spacerun: yes;"> </span>Start over.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Swipe</i>.<span style="mso-spacerun: yes;"> </span>You lose someone, a pet, friend of family
member, and suddenly have to navigate the world without them.<span style="mso-spacerun: yes;"> </span>Start over.<span style="mso-spacerun: yes;">
</span>It’s a shaky world kids live in, one over which they have almost no
control.<span style="mso-spacerun: yes;"> </span>It’s no wonder that the world
of juvenile literature is full to the brim with stories of unsettlement.<span style="mso-spacerun: yes;"> </span>It’s one thing to which every child in the
universe can relate.<span style="mso-spacerun: yes;"> </span>Megan Jean Sovern’s
debut middle grade novel, <u>The Meaning of Maggie</u>, tackles issues of a
serious nature, but from the (generally) light-hearted point of view of our
heroine, Maggie: super-student, bookworm, candy-aficionado and future President
of the United States.</div>
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<br /></div>
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Maggie received a journal for her twelfth birthday, and
decides to write a memoir of her eleventh year, the year that changed her life
(so far).<span style="mso-spacerun: yes;"> </span>Eleven was the year her
father, now confined to a wheelchair with MS, stopped working, and her mother
started.<span style="mso-spacerun: yes;"> </span>Eleven was the year she got a B
on her science fair project (a B!!!), and the year she ran a mile in gym
class.<span style="mso-spacerun: yes;"> </span>Eleven was the year of her first
crush.<span style="mso-spacerun: yes;"> </span>Eleven was the year she finally
learned some difficult realities about her father’s illness, her family
dynamics and her own limitations.<span style="mso-spacerun: yes;"> </span>Eleven
was a very big year.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Right off the bat, Maggie is a delightful character.<span style="mso-spacerun: yes;"> </span>She’s funny, mentally hyper, a little selfish
(sometimes a lot selfish) and surprisingly naïve.<span style="mso-spacerun: yes;"> </span>For such a smart girl, there’s a lot about
growing up that she doesn’t know, or flat out doesn’t want to know (forget about
kissing parts of books, she’s not interested).<span style="mso-spacerun: yes;">
</span>Maggie is an extraordinary every-girl, and this makes her journey of
discoveries all the more relatable and enjoyable.<span style="mso-spacerun: yes;"> </span>Behind Maggie is an equally interesting
family, including her “no hotness allowed on a school night” sisters and her
former hippie parents.<span style="mso-spacerun: yes;"> </span>These are people
I can see how they fit together, even with all their differences.<span style="mso-spacerun: yes;"> </span>Maggie’s father’s illness, about which she
knows shockingly little in the beginning, progresses throughout the story, but
it never feels like an issue is being forced.</div>
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<br /></div>
<div class="MsoNormal">
This is a book with a lot of plates in the air, but Ms.
Sovern handles everything with the ease of a seasoned professional.<span style="mso-spacerun: yes;"> </span>A fantastic work, I’m sure this is one that
will stay in my mind towards the end of the year.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>The Meaning of Maggie</u> by Megan Jean Sovern<br />
2014, Chronicle Books<br />
Preview copy provided by publisher for review</div>
Sharonhttp://www.blogger.com/profile/16124244129729461670noreply@blogger.com0