Two years have passed
for Janie and Benjamin since the events of The Apothecary. Janie is in
school in the U.S. and Benjamin is traveling the world with his father, trying
to do good in troubled areas. Despite being memory drugged at the end of her
previous adventure, Janie has recovered most of her memories, thanks to
Benjamin’s forbidden and sometimes confusing communiques. She has even begun an
experiment to recreate one of the alchemical recipes from the Pharmacopoeia,
the desalinization of sea water. She is so close to achieving this goal, in
fact, that she attracts some unwanted attention, and as a result, she is thrown
out of school on trumped up charges, and her nearly completed experiment is
stolen. What Janie doesn’t know, is that what the nefarious Mr. Magnusson
really wants is not her experiment, but her friends, Benjamin and his father.
Janie is bait. From here The Apprentices is a tight chase to the finish,
with Benjamin trying everything in his power to reach Janie, and Janie trying
everything in hers to keep Benjamin safe.
Adventure stories must have risk if they are
going to succeed. If your heroes don’t stand to lose something, where is the
danger? In Janie and Benjamin’s world, the risk is huge: nuclear fallout. It
doesn’t get much bigger than that. In The Apothecary, the resourceful
crew manages to contain a nuclear blast, and the baddies at work in The
Apprentices are trying to make sure such a thing never happens again.
Soviet spy and British traitor Mr. Danby is back, with new motives, but much
the same goal. And Mr. Magnusson, the slightly slimy, island owning, kidnapping
businessman is an effective villain. He’s just smart enough to be a serious
problem.
If I had one problem
with The Apprentices, it would be with the character of Pip. In The
Apothecary, I was Pip’s defender. I was charmed by his Artful Dodger-ness,
and found him a necessary relief from the doom and gloom. Here, however, Pip’s
role is so marginalized as to be practically unnecessary. The plot could have
continued, and in fact, concluded without his help, and his inclusion in the
story at all feels like a forced attempt to bring all the previous players back
for the second volume.
The Apprentices, like The Apothecary, is a mature middle
grade read. It’s not for the dabbler, or the faint of heart. There are heavy
issues at play, and as our characters traverse farther and farther into
teenagedom, there can only be more heavy on the way. But it is a rewarding
read. Meloy’s use of language is above par, and her pacing and scenarios will
keep you up at night, turning pages, until you’ve reached the end.
The Apprentices by Maile Meloy
2013, Putnam Juvenile
Preview copy provided by publisher for review
2013, Putnam Juvenile
Preview copy provided by publisher for review