I’ve been having several conversations lately about how
grisly and parent-deprived children’s stories are, and have been for
centuries. Partly this is because of the
book Bloody Murder: The Homicide Tradition in Children’s Literature by
Michelle Ann Abate that I received for Christmas this year, and partly because
every other parent always wants to know why so-and-so’s mother or father or
both are dead. Many blame Disney, and
while Disney movies are a prime and very prominent example of this tradition,
the Mouse is hardly to blame. Bad things
happen in children’s stories. Sometimes,
it is didactic in nature: don’t stray from the path or talk to strangers,
Little Red Riding Hood! Sometimes, it is
so the hero’s journey can start from the depths of despair before reaching its
pinnacle (everyone from Christian in The Pilgrim’s Progress to Harry
Potter). But it is a truth universally
acknowledged, that happy people with happy lives don’t make very lively literature. It is with this in mind that I think about Zebra
Forest, the debut novel of Adina Rishe Gerwirtz.
Annie and Rew live with their grandmother in the zebra
forest. Their father died when they were
both very young, and their mother left them, saying “They were always his idea,
anyway”. Annie and Rew’s grandmother has
her good days and her bad ones, and the kids have learned to adapt and survive,
dodging school, grocery stores and social workers. During the summer of 1980, with the backdrop
of the Iranian Hostage Crisis, Annie and Rew get an unexpected visitor after a
nearby prison break: Andrew Snow, their
father. What follows is a tense
numeration of days in which the children become hostages in their home, learn
secrets of their family history and discover hidden secrets within themselves.
For children who have always had a family, explaining why
some children don’t can sometimes be tricky.
The death of a parent, while sad, is at least straightforward. Explaining why a parent simply walks away is
something else entirely. In the course
of Zebra Forest, Annie and Rew must come to terms with 1). a (falsely)
dead parent, 2). a parent that chose to leave them and never return and 3). a
parent that was taken away from them, albeit through the fault of his own actions. Ms. Gerwirtz handles all these balls in the
air with surprising ease and sensitivity.
The story is told from Annie’s point of view, but her brother’s feelings
are just as keenly felt and understood.
Zebra Forest is not a story with much levity. It’s a bad situation that only gets worse
before it gets better. But it’s a story
worth reading, because everyone can understand the themes of loss, anger, fear
and forgiveness. Even if most of your
experience comes from Disney movies.
Zebra Forest by Adina Rishe Gewirtz
2013, Candlewick Press
Library copy
2013, Candlewick Press
Library copy
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